Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It is only at the commencement of his stay in Paris, while he is kept
in a state of constant elation by the supposed attainment of great
political results, that he still jests lightly and freely (as, for
example, on the subject of the many Princes Henry of Reuss, Greiz, and
Schleiz, who are now being punished by the revolution in Gera for all
the agony the committing to memory of their respective numbers cost him
at school); the jesting tone soon vanishes from his letters, and the
striking, convincing similes are all that remains of his old style.
His chief feeling, when he thinks of his Fatherland, is shame. In
the Days of July, Englishmen and Dutchmen, Spaniards and Italians,
Poles and Greeks, helped to fight for the liberty of France, which
means the liberty of all nations; but no Germans were there. With its
administration of justice, its censorship, and its guilds, Germany will
soon be the antiquarian museum of Europe. But more obnoxious to him
than anything else is the German spirit of loyalty and humility. The
Spaniards, the Italians, the Russians, and all the others are slaves;
the people that speak the German tongue are lackeys. Slavery only makes
men unhappy, it does not degrade them; servitude degrades. (January
25th 1831.) At an international dinner in Paris, when speeches were
being made by Liberals of every nationality, shame for his country
prevented him from getting up to speak on its behalf. He thought: These
Poles, these Spaniards, who have spoken, represent their country. "But
what do I represent? what achievements do I recall? I stand alone,
I am a lackey, wearing, like all other Germans, the livery of Count
Münch-Bellinghausen." (14th December 1831.)
Closely connected with this feeling of shame is an irritability, an
inclination to be indignant with every one and everything, which gives
a certain impression of weakness, of failing health. Everything, great
and small, is "infuriating--from the long-suffering of the nations
and their slowness to rise in revolt, to a rude letter from Spontini
to the Berlin orchestra; from the proposal to grant Louis Philippe a
liberal civil-list, to the deficiencies of an encyclopædia.[1]
As time goes on he actually seeks out provocations. We come upon such
expressions as: "I am cheerful, for I have been angry;" or "You cannot
give me greater pleasure than by reporting cases of German stupidity to
me."
Public-domain text, read in full here on John Shaqi.
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