Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Heine writes humorously and bitterly: "I dare hardly tell the story, it
seems so incredible, yet I have it from a reliable source, from a man
who is an honest and truthful republican, and was himself a member of
the committee at Hambach which deliberated on the impending revolution.
This man told me in confidence that, when it came to the question of
competence, to a dispute as to whether the patriots then assembled at
Hambach were really competent to begin a revolution in the name of the
whole of Germany, those who advised immediate action were outvoted, and
the conclusion arrived at was that they were incompetent." Heine calls
this the best story he has ever heard, good enough to make him forget
all the troubles of this vale of tears, and even to cheer him after
death in the dusky tedium of the realm of shades. Then he speaks words
of comfort to kings and princes, tells them how it is quite unnecessary
that they should imprison any more worthy citizens; they may sleep in
peace; they are in no danger; the German revolution is still far off;
the question of competence is not yet decided.[8]
For many years after he made Heine's literary and personal
acquaintance, Börne's feeling towards that author was a friendly one;
he spoke of him with affection, gave him his full due as a poet, and
more especially appreciated him as a great power in the service of
universal emancipation. But their natures were too unlike to permit
of his judgment being quite unprejudiced. From 1831 onwards we come
upon spiteful references to Heine in the Letters. Although Börne was
devoid of petty vanity, the frequent comparisons made between Heine
and himself rankled in his mind, especially as, in the matter of
ability and gifts, they were often to his disadvantage. And Heine's
_Französische Zustände_ ("The Situation in France") offended and
wounded him; its perusal roused in him a feeling of ill-humour to
which he gave vent (in the last volume of the _Letters from Paris_)
in cutting satire, which struck Heine as it were from above, and, in
the eyes of many readers, stamped him with the brand of political
untrustworthiness.
Public-domain text, read in full here on John Shaqi.
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