Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Let us go back to Wieland, and we shall find that he held Napoleon
in the same high estimation, even before such an opinion had been
justified by the events of history. In 1798 he declares that France
stands in need of a dictator, and that no one is fit for the post
except General Bonaparte, then in Egypt. In 1800 he prophesies that
Bonaparte will and must make himself king, and defends him against the
attacks of the English newspapers. Napoleon, having been told of these
prophecies, had a lengthy interview with Wieland at Erfurt in 1808.
None of the great Germans at the end of the eighteenth and beginning of
the nineteenth century knew what national enmity meant. It was without
a spark of any such feeling that Goethe, in the capacity of spectator,
made the campaign of 1793 in France. Schiller valued his certificate of
French citizenship, and believed that it might come to be of use to his
children. Knebel, Goethe's friend, wished that he dared sing Napoleon's
victories. Goethe himself looked on with complacency while Napoleon
shattered the kingdom of Frederick the Great into fragments; it is
evident that he must have regarded that kingdom of Prussia as a passing
phenomenon in the history of Germany. He had witnessed Napoleon's rise
and victorious career, and had seen him suppress that anarchy which
was so hateful to himself, the aristocrat and evolutionist. At last he
made his personal acquaintance, saw him surrounded by his marshals,
in an atmosphere of brightness, amiability, geniality, general
irresistibility. The personal impression made upon him by Napoleon was
such as to increase his previous admiration for him. Hence it was that
even after the Russian campaign, even during the rehabilitation of
Germany, Goethe continued to say: "It is all of no use; the man is too
strong for them." It was not till all was over that he made a sort of
compulsory amends by writing a play for the fête on the occasion of the
peace.
Public-domain text, read in full here on John Shaqi.
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