Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
This political warfare of Heine's is spoken of with the utmost contempt
by German historians of literature, historians proper, and literary
critics; not only by Menzel, but by such men as Goedeke, Treitschke,
Grisebach (Heine's imitator and denouncer), and Hehn, whose perception
in other cases is so remarkably acute. Even Scherer is cold and
depreciatory. When the Italian poet Carducci some years ago celebrated
Heine in an ode as a hero in the struggle of liberty, even Karl
Hillebrand, the best literary critic in Germany, who had at one time
been Heine's secretary, and had always spoken of him with reverence
and admiration, made a sort of protest, declaring that Heine himself
had never taken the thing so seriously. This disfavour and distrust is
not surprising. The frivolity in Heine's character led in his youth
to repellent political vacillation. In 1827, in the hope of being
appointed to a professorship at Munich, he was ready to disown his
previous principles to please King Louis, but gained nothing by it. He
offered at the same time to defend the wretched Duke of Brunswick, the
diamond-Duke, in return for a Brunswick order; but in this case also he
was disappointed. It was not till 1830 that he began to show political
strength of character.
We must also remember that in Heine's writings there is an absence of
all "pathetic gesture." He was too proud to employ it. Germans cannot
understand this. But grievous wrong is done him. The pathos was in his
soul. His whole soul is in the little poem _Enfant Perdu_, with which
one of the divisions of _Romancero_ concludes, and which he wrote when
he was no longer young. He really was what he here calls himself, an
advanced and forgotten outpost, left to be shot down. And when, in his
posthumous prose hymn, he cries: "I am the sword, I am flame," it is
but the truth. The light of his flame, the sparks of his sword-blows,
still shine bright. Many still warm themselves at his fire.
As already mentioned, Börne, in his _Letters from Paris_, calls Heine
an inconsistent, vacillating, characterless politician. He does not
so much reproach him with overrating himself personally as with
overrating the influence of the individual human being. For it is
Börne's opinion that the individual is no longer of much importance.
Even a Voltaire or a Rousseau would not be a powerful influence
nowadays. Individuals are now merely the heralds of the people. This
Heine forgets. Then, in his desire to please the democrats, he declares
that the Jesuitic-aristocratic party in Germany malign him because he
makes a bold stand against absolutism; but almost at the same time, in
order to curry favour with the aristocrats, says that he has made a
stand against Jacobinism, and that he is, and always will be, a good
monarchist.
Public-domain text, read in full here on John Shaqi.
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