Mississippi River Valley -- Fiction; Short stories; Western stories
She felt a wild rush of loneliness. She had a sudden realization of how
dear that gaunt old figure was, with its grizzled face and ready smile.
Her breath came quick and quicker, and she was at the point of bursting
into a wild cry to Tewksbury, when she heard a strange noise. It came
from the barn, a creaking noise. She looked that way, and saw in the
shadowed side a deeper shadow moving to and fro. A revulsion to
astonishment and anger took place in her.
"Land o' Bungay! If he ain't paintin' that barn, like a perfect old
idiot, in the night."
Uncle Ethan, working desperately, did not hear her feet pattering down
the path, and was startled by her shrill voice.
"Well, Ethan Ripley, whaddy y' think you're doin' now?"
He made two or three slapping passes with the brush, and then snapped
out, "I'm a-paintin' this barn--whaddy ye s'pose? If ye had eyes y'
wouldn't ask."
"Well, you come right straight to bed. What d'you mean by actin' so?"
"You go back into the house an' let me be. I know what I'm a-doin'.
You've pestered me about this sign jest about enough." He dabbed his
brush to and fro as he spoke. His gaunt figure towered above her in
shadow. His slapping brush had a vicious sound.
Neither spoke for some time. At length she said more gently, "Ain't you
comin' in?"
"No--not till I get a-ready. You go 'long an' tend to y'r own business.
Don't stan' there an' ketch cold."
She moved off slowly toward the house. His shout subdued her. Working
alone out there had rendered him savage; he was not to be pushed any
further. She knew by the tone of his voice that he must now be respected.
She slipped on her shoes and a shawl, and came back where he was working,
and took a seat on a saw-horse.
"I'm goin' to set right here till you come in, Ethan Ripley," she said,
in a firm voice, but gentler than usual.
"Wal, you'll set a good while," was his ungracious reply, but each felt
a furtive tenderness for the other. He worked on in silence. The boards
creaked heavily as he walked to and fro, and the slapping sound of the
paint-brush sounded loud in the sweet harmony of the night. The majestic
moon swung slowly round the corner of the barn, and fell upon the old
man's grizzled head and bent shoulders. The horses inside could be heard
stamping the mosquitoes away, and chewing their hay in pleasant chorus.
The little figure seated on the saw-horse drew the shawl closer about her
thin shoulders. Her eyes were in shadow, and her hands were wrapped in
her shawl. At last she spoke in a curious tone.
"Wal, I don't know as you was so very much to blame. I didn't want that
Bible myself--I held out I did, but I didn't."
Ethan worked on until the full meaning of this unprecedented surrender
penetrated his head, and then he threw down his brush.
"Wal, I guess I'll let 'er go at that. I've covered up the most of it,
anyhow. Guess we better go in."
God's Ravens
I
Public-domain text, read in full here on John Shaqi.
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