And leave he did. Sammy had Death Wait's employee pass deactivated and the contents of his locker -- patchouli-reeking black tee-shirts and blunt eyeliner pencils -- sent by last-class mail to his house. He cut off Death Waits's benefits. He had the deadwood rides shuttered and commenced their destruction, handing over any piece recognizable as coming from a ride to the company's auction department to list online. Anything to add black to his bottom line. But his cheek throbbed where Death had laid into him, and he'd lost his fire for the new project. Were fatkins a decent-sized market segment? He should have commissioned research on it. But he'd needed to get a plan in the can in time to mollify the executive committee. Plus he knew what his eyes told him every day: the park was full of fatkins, and always had been. The ghost of Death Waits was everywhere. Sammy had to figure out for himself whom to fire, and how to do it. He didn't really know any of the goth kids that worked the rides these days. Death Waits had hired and led them. There were lots of crying fits and threats, and the kids he didn't fire acted like they were next, and if it hadn't been for the need to keep revenue flowing, Sammy would have canned all of them. Then he caught wind of what they were all doing with their severance pay: traveling south to Hollywood and riding that goddamned frankenride in the dead Wal-Mart, trying to turn it into goth paradise. Judging from the message-boards he surfed, the whole thing had been Death Waits's idea. Goddamn it. It was Boston all over again. He'd pulled the plug and the machine kept on moving. The hoardings went up and the rides came down, but all his former employees and their weird eyeliner pervert pals all went somewhere else and partied on just the same. His attendance numbers were way down, and the photobloggers posting shots of black clouds of goths at the frankenride made it clear where they'd all gone. *Fine*, he thought, *fine. Let's go have a look.* The guy with the funny eyebrow made him immediately, but didn't seem to be suspicious. Maybe they never figured out what he'd done in Boston. The goth kids were busy in the market stalls or hanging around smoking clove and patchouli hookahs and they ignored him as a square and beneath their notice. The ride had changed a great deal since his last fated visit. He'd heard about The Story, of course -- the dark-ride press had reported on it in an editorial that week. But now The Story -- which, as he could perceive it, was an orderly progression of what seemed to be someone's life unfolding from childhood naivete to adolescent exuberance to adult cynicism to a nostalgic, elderly delight -- was augmented by familiar accoutrements.