A hand came down on his shoulder and he jumped, squeaked, and fell
into a defensive pose, waiting for the truncheon to hit him, but it
was Suzanne, grim faced, pointing her own phone. She had a laminated
press-pass out in her free hand and was holding it up beside her head
like a talisman. She pointed off down the road, where some of the goth
kids who'd just been arriving when things went down were more
ambulatory, having been somewhat shielded from the noise. They were
running and being chased by cops. She made a little scooting gesture
and Perry understood that she meant he should be following them,
getting the video. He sucked in a big breath and nodded once and set
off. She gave his hand a firm squeeze and he felt that her palms were
slick with sweat.
He kept low and moved slow, keeping the viewfinder up so that he could
keep the melee in shot. He hoped like hell that someone watching this
online would spring for his bail.
Miraculously, he reached the outlier skirmish without being
spotted. He recorded the cops taking the goths down, cuffing them, and
hooding one kid who was thrashing like a fish on a hook. It seemed
that he would never be spotted. He crept forward, slowly, slowly,
trying to feel invisible and unnoticed, trying to project it.
It worked. He was getting incredible footage. He was practically on
top of the cops before anyone noticed him. Then there was a shout and
a hand grabbed for his phone and the spell was broken. Suddenly his
heart was thundering, his pulse pounding in his ears.
He turned on his heel and ran. A mad giggle welled up in his
chest. His phone was still streaming, presumably showing wild,
nauseous shots of the landscape swinging past as he pumped his arm. He
was headed for the ride, for the rear entrance, where he knew he could
take cover. He felt the footsteps thud behind him, dimly heard the
shouts -- but his temporary deafness drowned out the words.
He had his fob out before he reached the doors and he badged in,
banging the fob over the touch-plate an instant before slamming into
the crash-bar and the doors swung open. He waited in agitation for the
doors to hiss shut slowly after him and then it was the gloom of the
inside of the ride, dark in his sun-adjusted eyesight.
It was only when the doors shivered behind him that he realized what
he'd just done. They'd break in and come and get him, and in the
process, they'd destroy the ride, for spite. His eyes were adjusting
to the gloom now and he made out the familiar/unfamiliar shapes of the
dioramas, now black and lacy with goth memorabilia. This place gave
him calm and joy. He would keep them from destroying it.
He set his phone down on the floor, propped against a plaster skull so
that the doorway was in the shot. He walked to the door and shouted as
loud as he could, his voice inaudible in his own ears. "I'm coming out
now!" he shouted. "I'm opening the doors!"
Public-domain text, read in full here on John Shaqi.
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