Makers and Romance of Alabama HistoryRiley, B. F. (Benjamin Franklin)
History
Makers and Romance of Alabama History
Riley, B. F. (Benjamin Franklin)
Alabama -- Biography; Alabama -- History
The exact location of Maubila has given rise to much speculation, and not
a little discussion. Plausible reasons are assigned by different writers
in support of their respective views, but the preponderance of testimony
seems to favor the present site of Choctaw Bluff, in Clarke County, as the
location. In opposition to this view, however, it has been urged that its
distance toward the south is incompatible with the time given for reaching
it by the DeSoto band.
The arrival of the troops on horseback, under DeSoto, aroused terror on
the part of the Indians, who seemed to regard more the terrible horses
than the men themselves. At the head of the imposing troop rode the
haughty DeSoto in splendid uniform, his armor glittering and his gay plume
gracefully falling back of a wide brim, while beside him was the revered
chief, with his robe of red and his crimson cap, now somewhat dimmed by
rough exposure. There was a hush of consternation when first the cavalcade
rode into full view on the plain. DeSoto had intended by dramatic effect
to overawe the Indian spectators, and with this end in view he neglected
nothing. The armor of the troops was unusually bright, the men were
perfectly erect in their saddles, the horses neighed and pranced, and the
whole effect was inspiringly striking.
The cavalcade proceeds to the gate on one side of the city, and proudly
enters. With the first sensation of terror gone, the multitude breaks
forth into mighty demonstration. Throngs of men give vent to their
emotions in wild whoops and shouts, accompanied by rude music on cane
flutes. They leap, they dance, and by every conceivable means manifest
their excited joy. On the public square, the dusky maidens gather, and
with shrieks and shouts, dance with unabated glee. No demonstration to a
returning conqueror could exceed that now accorded to DeSoto and his men,
as they proudly ride within the walls of Maubila. Hideous cries from
thousands of throats, mingled with the unmusical notes of many reeds, made
the scene one of terror.
Public-domain text, read in full here on John Shaqi.
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