Makers and Romance of Alabama HistoryRiley, B. F. (Benjamin Franklin)
History
Makers and Romance of Alabama History
Riley, B. F. (Benjamin Franklin)
Alabama -- Biography; Alabama -- History
DeSoto is at great disadvantage both in numbers and in supplies of
munitions. Moscoso lingers with the reserves. He is much in need, should
be here, but delays. With strained vision, DeSoto looks for his
lieutenant, but he comes not. The fight is now hand to hand. The Indians
are perhaps fifty to one against the Spaniards, but order and discipline,
powder and ball, crossbow and sword, horse and armor prevail against the
odds. DeSoto leads his troops in person. His men are animated by his
dauntless presence and the terror of his execution. He fights like a
common trooper. The blood still oozes from his wound, but he fights on
still. The Spaniards not only hold their own, but force the savages back.
At this juncture Moscoso arrives. The Indians rush again within the walls
and make fast the gate. DeSoto now plans for the final onset. His heavy
ordnance is to be brought into prompt execution. On the spot he organizes
his detachments, and while the arrows are flying, he assigns to each body
its task in the closing scene of the drama. Coolness like this is almost
superhuman, but DeSoto is not cooler than his men.
The axes begin to ring on the gate. Nerved now to desperation by this, the
Indians fight with more ferocity than ever. With resounding blows the axes
fall on the doomed gate. From the summit of the walls and from the
portholes the arrows are rained down on the Spaniards, but striking their
encased armor glide off. Huge pebbles, the size of a man's fist and
larger, fall like hailstones upon their helmets, but to no effect. The
gate begins to give way, it reels, it falls with a creaking crash, and the
Spaniards sweep within. Indians and Spaniards alike fight like demons.
DeSoto still leads, hewing down man after man with his broadsword. His men
follow with equal execution.
Torches in hand, the walls are being fired. The thick plastering is
knocked off and in many places, the fires begin. Ladders are improvised,
the walls are scaled, and near the summit the torch is applied. The
fifteen pent-up men are released, jump with exhilaration into the fray,
and do deadlier work than the others. The fires begin to climb the walls.
They toss high in air their forked tongues. In a swaying column the smoke
darkens the heavens.
For nine long hours the battle has raged without cessation, and the end is
not yet. Yells, orders, shrieks, the clang of steel, the stroke of axes,
the roar and crackle of flames mingle in common confusion. DeSoto rushes
on a big warrior, raises his lance to drive it through him and receives a
long arrow in his thigh. He cannot stop to extricate it now, and while it
is protruding, and is much in his way, he fights on like a demon
unchained. Rising in his saddle he sways his sword about his head and
yells, "Our Lady and Santiago!" and plunges anew into the storm of battle.
Spurring his horse into the thickest of the fight, he lays many a warrior
low.
Public-domain text, read in full here on John Shaqi.
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