Makers and Romance of Alabama HistoryRiley, B. F. (Benjamin Franklin)
History
Makers and Romance of Alabama History
Riley, B. F. (Benjamin Franklin)
Alabama -- Biography; Alabama -- History
The name of Alexander McGillivray is inseparable from the earliest annals
of Alabama history. So notorious was he, that to omit his name from the
records of the state, would be to occasion a serious gap. Though a private
citizen, McGillivray, in the sway of power, was practically a sovereign.
In the constitution of this wonderful man were extraordinary force,
comprehensive resourcefulness, unquestioned magnetism, and sinisterness of
purpose, rarely equaled. He was born to dominate, and his facility for
planning and scheming, as well as for executing, was phenomenal. Nor was
the dominion of his influence restricted to Alabama, for it extended into
Georgia and Florida, and reached even the seat of the national government,
which was at that time, seeking to stand erect in its emergence from
infantile conditions.
McGillivray was the Machiavelli of these early times. With a gaze lifted
immensely above that of his contemporaries, he planned vast designs, while
the order of mind of this remarkable man was such that, in the requisite
details of execution, he could fit and adjust conditions with a skill so
marvelous, and a precision so exact, as to be able to accomplish all to
which he set his hand.
His mind was fertile, his vision comprehensive, his judgment unerring, his
skill adroit, his cunning foxy, his facilities without seeming limit, and
his absence of principle as void as space. His plans were often a network
of tangled schemes, so wrought into each other, that to most men involved
in such, there would be no possibility of escape, but under the
manipulation of this master of craft and of intrigue, they would be
brought to a culmination invested with so much plausibility, as to divest
them of any open appearance of wrong. McGillivray was always cool and
collected, suave and smiling, and could make so fair a show of sincerity
and of innocence, backed by a cogency of assertion, as often to make the
false wear the mask of truth.
The times in which McGillivray lived were exceedingly favorable to the
cultivation of his character. That which he did would have been unnatural
with an ordinary man, but to Alexander McGillivray, and to the period in
which he lived, nothing seemed more natural. The times were out of joint,
his native gifts were exceptional, the period afforded just the orbit for
their exercise, and with audacious effrontery he seized on every chance to
execute his fell designs.
Public-domain text, read in full here on John Shaqi.
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