A very interesting phase of the Italian University life of that time is revealed in two important incidents of Galvani's university career. One of his professors--one, by the way, for whom he seems to have had a great deal of respect, and to whose lectures he devoted much attention, was Laura Caterina Maria Bassi, the distinguished woman Professor of Philosophy at the University of Bologna, about the middle of the eighteenth century. It is doubtless to her teaching that Galvani owes some of his thorough-going conservatism in philosophic speculation, a conservatism that was of great service to him later on in life, in the midst of the ultra-radical principles which became fashionable just before and during the French Revolution. Madame Bassi seems to have had her influence on him for good not only during his student career, but also later in life, for she was the wife of a prominent physician in Bologna, and Galvani was often in social contact with her during her years of connection with the University. As might, perhaps, be expected, seeing that his own happy domestic life showed him that an educated woman might be the center of intellectual influence, Galvani seems to have had no spirit of opposition to even the highest education for women. This is very well illustrated by the first formal lecture in his course on anatomy at the University, which had for its subject the models for the teaching of anatomy that had been made by Madame Manzolini.[12] In the early part of the eighteenth century, Madame Manzolini had been the Professor of Anatomy at the University of Bologna, and in order to make the teaching of this difficult subject easier and more definite, she modeled with great care and delicate attention to every detail, so that they imitated actual dissections of the human body very closely, a set of wax figures, which replaced the human body for demonstration purposes, at least at the beginning of the anatomical course. Galvani, in taking up the work of lecturer in anatomy, appreciated how much such a set of models would serve to make the introduction to anatomical study easy, yet at the same time without diminishing its exactness, and accordingly introduced his students to Madame Manzolini's set of models in his very first lecture. At the time, not a few of the teachers of anatomy at the Italian universities were inclined to consider the use of these models as rather an effeminate proceeding. Galvani's lack of prejudice in the matter shows the readiness of the man to accept the best, wherever he found it, without regard to persons or feelings.