Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
"Salah nama, [439] instead of limau nipis--lime (fruit). If limes are
brought on to a mine, the hantu (spirits) are said to be offended;
the particular feature of the fruit, which is distasteful, appears
to be its acidity. It is peculiar that Chinese have this superstition
concerning limes as well as Malays; not very long ago a Chinese towkay
of a mine complained that the men of a rival kongsi [440] had brought
limes and squeezed the juice into his head race, and, furthermore,
had rubbed their bodies with the juice mixed with water out of his
head race, and he said they had committed a very grave offence,
and asked that they might be punished for it.
"With Malays this appears to be one of the most important pantang [441]
rules, and to such a length is it carried that belachan (shrimp-paste)
is not allowed to be brought on to a mine for fear it should induce
people to bring limes as well, lime-juice being a necessary adjunct
to belachan when prepared for eating.
"Buah rumput, [442] or bunga rumput, instead of biji--tin sand.
"Akar, or akar hidop, [443] instead of ular--snake.
"Kunyit, [444] instead of lipan--centipede.
"Batu puteh, [445] instead of timah--metallic tin.
"It was important that the Pawang should be a marked man as to
personal appearance; for this reason there are certain positions of
the body which may be assumed by him only when on the mine. These
attitudes are--first, standing with the hands clasped behind the
back; and, secondly, with the hands resting on the hips. This second
position is assumed when he is engaged in 'invocating' the 'spirits'
of a mine; the pawang takes his station in front of the genggulang,
[446] having a long piece of white cloth in his right hand, which he
waves backwards and forwards over his shoulder three times, each time
calling the special hantu whom he wishes to propitiate, by name; whilst
engaged in this invocation his left hand rests on his hip. During the
performance of any professional duty he is also invariably dressed
in a black coat; this nobody but the pawang is allowed to wear on a
mine. These attitudes and the black coat comprise what is technically
termed the pakei pawang.
"The professional duty of the pawang of a mine consists in carrying out
certain ceremonies, for which he is entitled to collect the customary
fees, and in enforcing certain rules for the breach of which he levies
the customary fines. [447]
"At the time of the opening of a mine he has to erect a genggulang,
[448] and to call upon the tutelary hantu of the locality to assist
in the enterprise. The fee for this is one bag (karong) of tin sand.
"At the request of the miners, instead of a genggulang a kapala nasi
[449] may be erected, as cheaper and more expeditious. The fee is
one gantang [450] of tin sand.
"He also assists in the ceremony of hanging the ancha [451] in the
smelting-house; his principal associate in this is the Panglima Klian,
who draws the ancha up to its proper position close under the attaps.
Public-domain text, read in full here on John Shaqi.
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