Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
Three or four small clothes boxes (saharah), such as are kept by every
Malay family, and peti kapor (boxes whose corners are strengthened
and decorated with brass) are ranged upon the mattress just below the
clothes-rod. Upon these should be placed (a) the bangking, which is a
kind of jar or urn of lacquered wood, ranging from about half a foot
to a foot in height, and contains a portion of the bride's wardrobe;
and (b) the bun, [614] which is either octagonal (pechah d'lapan),
or hexagonal (pechah anam), as the case may be, and which may be
described as a box of tin, or sometimes of lacquered wood, whose
contents are as follows:--(1) a couple of combs (sikat dua bilah), one
with large and one with small teeth; (2) a small cup or saucer of hair
oil (a preparation of cocoa-nut oil), or attar of roses (minyak attar),
or pomatum (kateneh); (3) a small pen-knife for paring the nails; (4)
a pair of scissors; (5) a preparation of antimony (chelak), which is
a sort of black ointment applied by the Malays to the inside edge of
the eyelids; and (6) a Malay work-box (called dulang in Selangor and
bintang at Malacca), which is a circular box of painted or lacquered
wood, furnished with a lid, and containing needles, cotton, and the
rest of the Malay housewife's paraphernalia.
Near the door of the curtain is placed an earthenware water-jar,
called gelok (gelok Kedah and gelok Perak are the usual "makes"); this
jar stands upon a small brass or earthenware plate with high sides
(bokor), and its mouth is covered with a brass or earthenware saucer
(chepir), on which is laid the brass or earthenware bowl (penchedok
ayer or batil) which is used for scooping up water from the water-jar,
and which, when it is in use, is temporarily replaced by an ornamental
cap woven from strips of screw-palm leaves. A couple of candlesticks
placed near the water-jar, a betel tray (tepah or puan), a basin
(batil besar) for washing off the lees of henna, and a "cuspadore"
(ketor), all of which are placed inside the curtain, complete the
preparations for this portion of the ceremony.
The day concludes, as far as the workers are concerned, with a meal
in which all who have assisted in the preparations take part, and
this is followed by various diversions dear to Malays, such as the
chanting of passages from the Koran. [615]
At a royal wedding, either the "Story of 'Che Megat" ('Che Megat
Mantri), or a royal cock-fight (main denok), or a performance by
dancing girls or fencers (pedikir), may be substituted for these more
devotional exercises.
These performances (whatever they may be) are kept up (with intervals
for rest and refreshment) till four or five in the morning, when the
guests disperse to their respective homes to sleep off the night's
fatigue.
Public-domain text, read in full here on John Shaqi.
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