Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
enveloped in the folds of the sarong.
A long interval now ensued, but at length, after many convulsive
twitchings, the shrouded figure arose, amid the intense excitement
of the entire company, and went upon its hands and feet. The Tiger
Spirit had taken possession of the Pawang's body, and presently a low,
but startlingly life-like growl--the unmistakable growl of the dreaded
"Lord of the Forest"--seemed to issue from somewhere under our feet,
as the weird shrouded figure began scratching furiously at the mat
upon which it had been quietly lying, and then, with occasional pauses
for the emission of the growls, which had previously startled us,
and the performance of wonderful cat-like leaps, rapidly licked up
the handfuls of rice which had been thrown upon the floor in front of
it. This part of the performance lasted, however, but a few minutes,
and then the evident excitement of the onlookers was raised to fever
pitch, as the bizarre, and, as it seemed to our fascinated senses,
strangely brute-like form stooped suddenly forward, and slowly licked
over, as a tigress would lick its cub, the all but naked body of the
patient--a performance (to a European) of so powerfully nauseating
a character that it can hardly be conceived that any human being
could persist in it unless he was more or less unconscious of his
actions. At all events, after his complete return to consciousness at
the conclusion of the ceremony, even the Pawang experienced a severe
attack of nausea, such as might well be supposed to be the result of
his performance. Meanwhile, however, the ceremony continued. Reverting
to a sitting posture (though still with shrouded head), the Pawang
now leaned forward over the patient, and with the point of his dagger
drew blood from his own arm; then rising to his feet he engaged in a
fierce hand-to-hand combat with his invisible foe (the spirit whom he
had been summoned to exorcise). At first his weapon was the dagger,
but before long he discarded this, and laid about him stoutly enough
with the sheaf of areca-palm blossom.
Presently, however, he quieted down somewhat, and commenced to
"stroke" the sick man (as before) with the sheaf of palm-blossom,
beating out the blossom upon the floor as usual at the end of the
operation. Then sitting down again and crooning to himself, he partook
of betel-leaf, faced round towards the patient and stooped over him,
muttering as he did so, and passing his hands all over the prostrate
form. Next he turned once more to the jars and again plunged his
dagger into each of them in turn (to make sure that the evil spirit
was not lurking in them), and then drawing his head-cloth over his
head so as to completely hide his face, he once more took his seat
beside the patient, stooping over him from time to time and crooning
charms as he did so.
Public-domain text, read in full here on John Shaqi.
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