Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
The magician ('Che Ganti by name) commenced the performance by playing
a prelude on his violin. Presently his wife (an aged Selangor woman)
took some of the rice in her hand and commenced to chant the words
of the invocation, she being almost immediately joined in the chant
by a younger woman. Starting with the words, "Thus I brace up,
I brace up the Palm-blossom" ('ku anggit mayang 'ku anggit), their
voices rose higher and higher until the seventh stanza was reached,
when the old woman covered the two sheaves of Palm-blossom with a
Malay plaid skirt (sarong) and the usual "five cubits of white cloth"
(folded double), both of which had of course first been fumigated. Then
followed seven more stanzas ("Borrow the hammer, Borrow the anvil,"
and its companion verses), and rice having been thrown over one of
the sheaves of palm-blossom, its sheath was opened and the contents
fumigated. Then the old woman took the newly-fumigated sheaf between
her hands, and the chant recommenced with the third septet of stanzas
("Dig up, dig up, the wild ginger plant"), as the erect palm-blossom
swayed from side to side in time to the music. Finally the fiddle
stopped and tambourines were substituted, and at this point the
sheaf of blossom commenced to jump about on its stalk, as if it were
indeed possessed, and eventually dashed itself upon the ground. After
one or two repetitions of this performance, other persons present
were invited to try it, and did so with varying success, which
depended, I was told, upon the impressionability of their souls,
as the palm-blossom would not dance for anybody whose soul was not
impressionable (lemah semangat).
When the first blossom-sheaf had been destroyed by the rough treatment
which it had to undergo, the second was duly fumigated and introduced
to the company, and finally the performance was brought to a close
by the chanting of the stanzas in which the spirit is requested to
return to his own place. The two spoiled sheaves of blossom were then
carried respectfully out of the house and laid on the ground beneath
a banana-tree.
Public-domain text, read in full here on John Shaqi.
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