Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
hurt or damaged--all this company of actors and actresses, all this
company of players who sit within this shed!'
"When this incantation is finished the player, whose turn it is to
begin the performance, prostrates himself before the Herbab, or large
Malay fiddle, washes his face in some imaginary essence which the
gong is supposed to contain, and then arises and begins to act his
part." [724]
A similar ceremony was witnessed in 1897 by Mr. Everard Fielding
and the present writer at the back of the Bungalow at Jugra
(in Selangor). The object of the ceremony was to drive away evil
spirits from the spot where the performance was to take place, and the
performers were a little band of players from Penang who had settled in
the neighbourhood and had planted their holdings with Liberian coffee.
The Pawang or magician in this instance was a Malay named 'Che Hussein,
who acted as clown, and subsequently wrote out at my request rough
transcripts of more than a dozen of the plays acted by his company.
A big mat or mats having been laid upon the ground in a spot carefully
selected for the purpose, four corner posts were planted and a big
awning or ceiling-cloth (langit-langit) stretched between them. The
square space between the posts was then fenced off by carrying a
couple of cords round it horizontally from post to post, one at the
height of two, and the other about five feet above the ground. From
these cords were suspended various ornamental objects made of plaited
strips of cocoa-nut leaf, fashioned into rough resemblances of animals,
birds, fruit and flowers, a few bananas being added at intervals,
these latter serving as light refreshments for the players whenever
they felt so minded. Stems of banana trees with their leaves fastened
at each post made the structure complete, and the general effect,
enhanced by the bright costumes of the performers, was extremely
picturesque, and, as it was intended to be, extremely rural. [725]
A tray with the usual brazier of incense and small bowls of rice
variously prepared was then brought in, and all the instruments,
though not necessarily the players, being in their places, the ceremony
commenced as follows:--
Public-domain text, read in full here on John Shaqi.
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