Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
We thus reach a point of exceptional interest, for hunting, being
among the old Hindus one of the seven deadly sins, was regarded as a
low pursuit, and one which would never be indulged in by a god. Yet I
was repeatedly told when collecting charms about the Spectre Huntsman
that he was a god, and, explicitly, that he was Batara Guru. This
shows the strength of the Malay influences which had been at work,
and which had actually succeeded in corrupting the character, so to
speak, of the supreme god of this borrowed Hindu Trinity. [162]
The Batara Guru of the Sea, who by some magicians, at all events,
is identified with Si Raya (the "Great One"), and, probably wrongly,
with the God of Mid-currents [163] (Mambang Tali Harus), is of a much
milder character than his terrestrial namesake or compeer, and although
sickness may sometimes be ascribed to the sea-spirit's wrath, it is
neither so sudden nor so fatal as the sickness ascribed to the wanton
and unprovoked malice of the Spectre Huntsman, or Spirit of the Land.
Fishermen and seafarers, on the other hand, obtain many a favour
from him, and even hope to make friends with him by means of simple
sacrifices and charms.
Si Raya (or Madu-Raya) is said to have a family, his wife's name
being Madu-ruti, and his children "Wa' Ranai," and "Si Kekas" (the
scratcher), all of whom, however, have their own separate spheres
of influence. The "Great One" himself (Madu-Raya) rules over the sea
from low-water mark (at the river's mouth) out to mid-ocean; and if
his identity with "'Toh Rimpun `Alam" is accepted, [164] his place
of abode is at the navel of the seas, within the central whirlpool
(Pusat Tasek), from the centre of which springs the Magic Tree (Pauh
Janggi), on whose boughs perches the roc (garuda) of fable, and at
whose foot dwells the Gigantic Crab, whose entrance into and exit from
the cave in which he dwells is supposed to cause the displacement of
water which results in the ebb and flow of the tide. [165]
The only other divinities (of the rank of "Mambangs") which are of
any importance are the "White divinity," who dwells in the Sun, the
"Black divinity," who dwells in the Moon, and the "Yellow divinity,"
who dwells in the Yellow Sunset-glow, which latter is always considered
most dangerous to children.
When there is a decided glow at sunset, any one who sees it takes
water into his mouth (di-kemam ayer) and dislodges it in the direction
of the brightness, at the same time throwing ashes (di-sembor dengan
abu) saying:--
Mambang kuning, mambang k'labu,
Pantat kuning di-sembor abu.
This is done "in order to put out the brightness," the reason that
it must be put out being that in the case of any one who is not very
strong (lemah semangat) it causes fever.
(b) Spirits, Demons, and Ghosts
Public-domain text, read in full here on John Shaqi.
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