Malbone: An Oldport RomanceHigginson, Thomas Wentworth
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Malbone: An Oldport Romance
Higginson, Thomas Wentworth
Newport (R.I.) -- Fiction
Who can fathom the thoughts of that bewildered child, as she sat amid
the spray and the howling of the blast, while the doomed vessel drifted
on with her to the shore? Did all the error and sorrow of her life pass
distinctly before her? Or did the roar of the surf lull her into quiet,
like the unconscious kindness of wild creatures that toss and bewilder
their prey into unconsciousness ere they harm it? None can tell. Death
answers no questions; it only makes them needless.
The morning brought to the scene John Lambert, just arrived by land from
New York.
The passion of John Lambert for his wife was of that kind which ennobles
while it lasts, but which rarely outlasts marriage. A man of such
uncongenial mould will love an enchanting woman with a mad, absorbing
passion, where self-sacrifice is so mingled with selfishness that the
two emotions seem one; he will hungrily yearn to possess her, to call
her by his own name, to hold her in his arms, to kill any one else who
claims her. But when she is once his wife, and his arms hold a body
without a soul,--no soul at least for him,--then her image is almost
inevitably profaned, and the passion which began too high for earth ends
far too low for heaven. Let now death change that form to marble, and
instantly it resumes its virgin holiness; though the presence of life
did not sanctify, its departure does. It is only the true lover to whom
the breathing form is as sacred as the breathless.
That ideality of nature which love had developed in this man, and which
had already drooped a little during his brief period of marriage, was
born again by the side of death. While Philip wandered off silent and
lonely with his grief, John Lambert knelt by the beautiful remains,
talking inarticulately, his eyes streaming with unchecked tears. Again
was Emilia, in her marble paleness, the calm centre of a tragedy she
herself had caused. The wild, ungoverned child was the image of peace;
it was the stolid and prosperous man who was in the storm. It was not
till Hope came that there was any change. Then his prostrate nature
sought hers, as the needle leaps to the iron; the first touch of her
hand, the sight of her kiss upon Emilia’s forehead, made him strong. It
was the thorough subjection of a worldly man to the higher organization
of a noble woman, and thenceforth it never varied. In later years, after
he had foolishly sought, as men will, to win her to a nearer tie, there
was no moment when she had not full control over his time, his energies,
and his wealth.
Public-domain text, read in full here on John Shaqi.
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