Christian fiction; Fishers -- Fiction; Love stories; Scotland -- Fiction
Having straightway delivered his lordship’s message, Mrs Courthope,
wondering a little thereat, proceeded to show him those portions of
the house set apart for the servants. He followed her from floor
to floor--last to the upper regions, and through all the confused
rambling roofs of the old pile, now descending a sudden steep-yawning
stair, now ascending another where none could have been supposed to
exist--oppressed all the time with a sense of the multitudinous and
intricate, such as he had never before experienced, and such as perhaps
only the works of man can produce, the intricacy and variety of those
of nature being ever veiled in the grand simplicity which springs from
primal unity of purpose.
I find no part of an ancient house so full of interest as the garret
region. It has all the mystery of the dungeon-cellars with a far more
striking variety of form, and a bewildering curiosity of adaptation,
the peculiarities of roof-shapes and the consequent complexities of
their relations and junctures being so much greater than those of
foundation-plans. Then the sense of lofty loneliness in the deeps
of air, and at the same time of proximity to things aerial--doves
and martins, vanes and gilded balls and lightning-conductors, the
waves of the sea of wind, breaking on the chimneys for rocks, and the
crashing roll of the thunder--is in harmony with the highest spiritual
instincts; while the clouds and the stars look, if not nearer, yet
more germane, and the moon gazes down on the lonely dweller in
uplifted places, as if she had secrets with such. The cellars are the
metaphysics, the garrets the poetry of the house.
Mrs Courthope was more than kind, for she was greatly pleased
at having Malcolm for an inmate. She led him from room to room,
suggesting now and then a choice, and listening amusedly to his
remarks of liking or disliking, and his marvel at strangeness or
extent. At last he found himself following her along the passage
in which was the mysterious door, but she never stayed her step,
or seemed to intend showing one of the many rooms opening upon it.
“Sic a bee’s-byke o’ rooms!” said Malcolm, making a halt. “Wha sleeps
here?”
“Nobody has slept in one of these rooms for I dare not say how many
years,” replied Mrs Courthope, without stopping; and as she spoke
she passed the fearful door.
“I wad like to see intill this room,” said Malcolm.
“That door is never opened,” answered Mrs Courthope, who had now
reached the end of the passage, and turned, lingering as in act
while she spoke to move on.
“And what for that?” asked Malcolm, continuing to stand before it.
“I would rather not answer you just here. Come along. This is not
a part of the house where you would like to be, I am sure.”
“Hoo ken ye that, mem? An’ hoo can I say mysel’ afore ye hae shawn
me what the room ’s like? It may be the verra place to tak my fancy.
Jist open the door, mem, gien ye please, an lat’s hae a keek intill
’t.”
Public-domain text, read in full here on John Shaqi.
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