Christian fiction; Fishers -- Fiction; Love stories; Scotland -- Fiction
Lady Florimel’s fancy was so full of the expected pleasure, that she
woke soon after dawn. She rose and anxiously drew aside a curtain of
her window. The day was one of God’s odes--written for men. Would
that the days of our human autumn were as calmly grand, as gorgeously
hopeful as the days that lead the aging year down to the grave
of winter! If our white hairs were sunlit from behind like those
radiance-bordered clouds; if our air were as pure as this when it must
be as cold; if the falling at last of longest-cherished hopes did
but, like that of the forest leaves, let in more of the sky, more of
the infinite possibilities of the region of truth which is the matrix
of fact; we should go marching down the hill of life like a battered
but still bannered army on its way home. But alas! how often we rot,
instead of march, towards the grave! “If he be not rotten before he
die,” said Hamlet’s absolute grave-digger.--If the year was dying
around Lady Florimel, as she looked, like a deathless sun from a window
of the skies, it was dying at least with dignity.
The sun was still revelling in the gift of himself. A thin blue mist
went up to greet him, like the first of the smoke from the altars
of the morning. The fields lay yellow below; the rich colours of
decay hung heavy on the woods, and seemed to clothe them as with the
trappings of a majestic sorrow; but the spider-webs sparkled with dew,
and the gossamer films floated thick in the level sunbeams. It was a
great time for the spiders, those visible Deaths of the insect race.
The sun, like a householder leaving his house for a time, was burning
up a thousand outworn things before he went; hence the smoke of
the dying hearth of summer was going up to the heavens; but there
was a heart of hope left, for, when farthest away, the sun is never
gone, and the snow is the earth’s blanket against the frost. But,
alas, it was not Lady Florimel who thought these things! Looking
over her shoulder, and seeing both what she can and what she cannot
see, I am having a think to myself.
“Which it is an offence to utter in the temple of Art!” cry the
critics.
Not against Art, I think: but if it be an offence to the worshipper
of Art, let him keep silence before his goddess; for me, I am a
sweeper of the floors in the temple of Life, and his goddess is my
mare, and shall go in the dust-cart; if I find a jewel as I sweep,
I will fasten it on the curtains of the doors, nor heed if it should
break the fall of a fold of the drapery.
Public-domain text, read in full here on John Shaqi.
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