Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Dryden gained by this writing an income of a couple of thousand pounds a
year, which was the top-notch for a literary fellow in England. Also he
became poet laureate, and an intimate of the king; in short, he reached
the heights. But alas, greatness has its penalties, as the poet soon
discovered, caught in the poisonous intrigues of a vile court. He was
accused of having written a slanderous poem, and one of his noble
enemies hired some bullies to beat him up one night. Also, a muck-raking
parson by the name of Jeremy Collier came along and lashed him in a book
entitled “A Short View of the Profaneness and Immorality of the English
Stage.” To all his other literary and political enemies the poet showed
himself a voluble antagonist; but to the Reverend Jeremy he had nothing
to answer.
He began, apparently, to realize the seriousness of life, and took to
writing propaganda for his gang. He produced a series of political
tracts, satirical and didactic verses upon which he expended great
technical skill. Professor Saintsbury points out these literary
beauties; but again he specifies: in appreciating them, the reader has
to bear in mind that what Dryden proved today he may have disproved
yesterday, and he may prove something different tomorrow. Lacking this
acrobatic ability, I can only record my opinion, that these most famous
verses are snarling and odious quarrels, of exactly as much importance
to mankind as the yelps in a dog-fight.
One of them was a poem full of enraptured praise for the Anglican
church. The poet at this time was listed for a salary of a hundred
pounds a year as poet laureate; but the salary was badly in arrears, and
somebody must have pointed out to him that his new sovereign, King James
II, was an ardent Catholic. So the poet became converted to Catholicism,
and wrote an equally enraptured poem in praise of that. But, alas! it
was a bad guess; shortly afterwards His Most Catholic Majesty was kicked
out of England, and William of Orange was brought over, and the country
was Protestant again. This was the period when the Vicar of Bray had
such a hard time holding his job; and our court poet also suffered,
losing most of his perquisites, and having to go to work again.
He was an old man now, and decided to play safe; he made a verse
translation of Virgil, for which nobody could scold him. Nobody did, and
he died full of honors, and had a “sufficiently splendid funeral” in
Westminster Abbey, “with a great procession, preceded at the College by
a Latin oration, and by the singing of Exegi Monumentum to music.”
And so, if you like that sort of thing, there you have what you like;
and if you have Dryden’s talents, and are willing to sell them to the
ruling classes, I can drive you over to Hollywood any day, and introduce
you to the fellows who will start you off at twenty thousand a year, and
raise you to two hundred thousand as soon as you have begun to deliver
the goods.
CHAPTER XL
GLORY PROPAGANDA
Public-domain text, read in full here on John Shaqi.
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