Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
That does not mean that we are blind to the fallacies and absurdities in
his doctrines. We of today study education in the light of a mass of
psychological knowledge, we study government in the light of historical
and economic knowledge, we study the human soul in the light of biology,
sociology, chemistry, psychoanalysis--a host of sciences whose very
names were unknown to Rousseau. But how do we come to possess this
knowledge? We possess it because Jean-Jacques, with the divination of a
prophet and the fervor of a moral genius, proclaimed from the housetops
the right of the human spirit to be free, and to face the facts of life,
and to choose its path in accordance with its own happiness and health.
With any critic of Rousseau there is one question to be settled at the
outset. Why do you quarrel with this man? Is it because you wish to
correct his errors, and clear the way to his goal of liberty, equality,
and fraternity? Or are you one of those who dread the torrent of new
ideas and new feelings which Rousseau let loose upon the world? Is it
your purpose to discredit the whole individualistic movement which he
fathered, and to take us back to the good old days when children obeyed
their parents, and servants obeyed their masters, and women obeyed their
husbands, and subjects obeyed their popes and kings, and students in
colleges accepted without question what their professors told them?
Says Mrs. Ogi: “I suspect that last phrase is meant for Professor
Babbitt.”
“It is wonderful,” says her husband, “that he should have that name. A
judgment of Providence, without doubt!”
CHAPTER XLV
THE HARVARD MANNER
Let it be explained at the outset that we are setting out to discuss,
not a character in a novel, but a living person, Irving Babbitt,
professor of French literature in Harvard University; a scholar who has
set himself one goal in life, to deliver America from the evil influence
of Rousseau and “Rousseauism”--by which he means the whole modern
cultural movement. He has published a stately volume, “Rousseau and
Romanticism,” three hundred and ninety-three pages, plus twenty-three
pages of introduction, with an average of twelve quotations and
citations per page, illustrating the follies, absurdities and
monstrosities uttered or enacted by every man or woman who has at any
time during the past hundred and seventy-five years ever thought a new
thought, or tried an original experiment, or embodied an especially
intense emotion in art form.
Public-domain text, read in full here on John Shaqi.
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