Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
There is a better side to Goethe, which must not be overlooked. He was
magnanimous, open-minded, and a friend to all men of genius. He met the
poet Schiller, ten years younger than himself, ill in health and
struggling with cruel poverty. Schiller was a poet of freedom, and
stayed that to the end of his life. His first successful drama was “The
Robbers,” a glorification of revolt against medieval tyranny; his last
was “William Tell,” whose hero set Switzerland free from the Austrian
yoke. The fact that Schiller was of humble origin made no difference to
Goethe; he brought the young poet to Weimar, and got him a pension from
the duke, and became his intimate friend.
And that was the best thing that happened in Goethe’s life, for Schiller
with his fine sincerity and idealism drove the older man to work. We are
accustomed to see these two great names coupled together, and the
critics point out that Schiller was the enthusiast, the “propagandist,”
while Goethe, the serene Olympian temperament, was the greater poet. The
critics do not mention that Schiller had to waste most of his life doing
wretched hack work, and died of tuberculosis at the age of forty-six. If
Goethe, with all his leisure and independence, had died at that age, his
greatest work would have been lost.
Can anyone deny that we get a world view from the writings of Goethe;
that he has definite conclusions as to every aspect of human life? Can
anyone deny that his dramas and his novels, even his lyric poems, are
saturated with philosophy? It so happens that his point of view is that
which has been accepted by tradition and critical authority through all
the ages; therefore it slides down easily, it does not taste like
medicine, and we do not think of it as propaganda.
What is this point of view? The world is a place of blind and generally
aimless strife, and scholars and men of genius are powerless to control
it, and can only keep out of its way. “Renounce,” said Goethe; and what
is the first of all things you must renounce? Manifestly, the dream that
you can manage your own time. Live simply, develop your highest
faculties, leave a message and an example to the world; and somehow, at
some future date--you do not attempt to say when or how--this message
and this example may take effect, and truth and justice and mercy may
prevail. Meantime, since you must live, and since the ruling classes own
all the means of life, you must be polite to them, you must fit yourself
into their ways, you must be a gentleman, a courtier, a man of property.
Public-domain text, read in full here on John Shaqi.
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