Mammonart: An essay in economic interpretationSinclair, Upton
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Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Do not misunderstand me: her heroines are not mercenary--that is, not
with their conscious minds. The mercenary elements in their lives are
instinctive and conventional; the laws of the British leisure classes,
of “gentlefolk.” These laws Jane Austen never questioned, nor does
anyone of her heroines ever question them. Therefore it is possible for
these ladies to be mercenary to the point of ferocity, yet at the same
time to be sentimental and even charming.
If you travel through the Jane Austen country you find the roads lined
with hedge-rows, which bear flowers in the springtime, and are full of
birds, and afford opportunity for delightful descriptions in novels;
also they afford thrilling adventures, because a heroine can stand
behind a hedge-row and listen to her best friend discussing her to her
lover. Outside these hedge-rows walk common people of all sorts; farm
laborers on their way to fourteen hours of animal-like toil; factory
workers, pale and stunted; soldiers on the march; able seamen paying a
visit to home; tradesmen, tourists--all sorts of persons one does not
know. Behind the hedge-rows dwell the “gentlefolk,” carefully guarded by
the police magistrates; and the common people never by any chance
penetrate the hedge-rows, except in the capacity of servants. So the
young ladies of the “gentle” family meet no men save such as have been
carefully investigated and approved; so it is possible for these ladies
to be full of Sensibility--that is, quivering with excitement at the
male approach--and yet entirely innocent of mercenary motives, and
entirely safe from the danger of making an unmercenary match.
How perfectly this system works you may note in Jane Austen’s novels.
There are eight heroines, and eight fortunes to be married. One of the
heroines takes the risk of marrying a clergyman who has no money except
his “living.” Two others marry clergymen who, in addition to their
“livings,” have good financial prospects. The other five marry
non-clerical gentlemen of wealth. Mostly these fortunes come from land;
everywhere over the Jane Austen novel there hovers a magic presence
known as the “entailed estate.” In only one case is there any hint of
vulgar origin for the fortune, in a recent connection with “trade.” Of
all the fortunes, only one has actually been gained by the man who
possesses it and bestows it upon the heroine; and this man has gained it
in a most respectable Christian way--that is to say, not by “trade,” but
by killing and robbery. He has been a naval captain, and brings home his
share of the prizes taken.
Public-domain text, read in full here on John Shaqi.
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