Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
But here is the point to get clear: practically all this poetry was
written in eight years; you might count on your ten fingers and ten toes
all the lines that Wordsworth wrote after the age of thirty-five which
are worth anyone’s while to read. In my youth, when I was studying
poetry, it was my habit to go through a poet, beginning with the first
page of volume one and ending with the last page of volume five, or ten,
or whatever it might be. In the case of Wordsworth, it was volume
twelve, and he was the one poet with whom I fell down. The
“Ecclesiastical Sonnets” finished me; I testify that of all the dreary
drivel in the world’s literature, this carries the prize.
There were two men in Wordsworth: the instinctive man, who experienced
overwhelming feelings, and the conscious man, who was terrified by those
feelings. This is no guess of mine, but something which Wordsworth
himself explained over and over again: “My apprehensions come in
crowds.... My former thoughts returned: the fear that kills.... Me this
unchartered freedom tires; I feel the weight of chance desires.” So the
Wordsworth who believed in the Tory party and the Thirty-nine Articles
put the screws on the poet, and not merely the emotions, but the brains
of a great genius withered before the age of forty.
The cases of Coleridge, Southey and Wordsworth suggest the inquiry: is
it possible for a great poet to be a conservative? In old times, yes;
for the conservatives then had something to say for themselves. But in
the last hundred years the meaning of the class struggle has become so
apparent, the consequences of class exploitation have become so obvious,
that a man who fails to see them must be deficient in intelligence, a
man who fails to care about them must be deficient in heart and
conscience; and these are things without which great poetry cannot be
made.
CHAPTER LVII
THE FIRST LORD OF LETTERS
Fortunately not all the poets of England let themselves be frightened
into reaction by the French revolution.
George Gordon, Lord Byron, was born in 1788. His father was a rake and
blackguard. “Your mother is a fool,” said a schoolmate; and Byron
answered, “I know it.” This, you must admit, was a poor start in life
for a boy. He had a club foot, concerning which he was frightfully
sensitive; but in other ways he was divinely handsome, and much sought
after by the ladies; so he alternated between fits of solitude and
melancholy, and other fits of amorous excess. Being a lord, he was a
great person all his life. Being a man of genius, he enormously
increased his greatness. He lived always before the world, in one
sublime pose or another, and composed whole epics about himself and his
moods.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account