Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
This predatory artist, living in a predatory world, and portraying
predatory emotions, does not seem to us a propagandist, simply because
of the complete identity which exists between him and the thing he
portrays. It is the world which came into existence after the French
revolution, and has prevailed ever since. The masses made the
revolution, hoping to profit from it; but the merchants and bankers and
lawyers took over the power. Alone, this class in France could not have
succeeded; but they had the help of England--it is the triumph of
British gold, taking charge of the continent and making it over in the
image of the “shop-keeper”: the bourgeois world, a society in which
everybody seeks money, and having obtained it, spends it upon the
getting of more money, or upon the expansion of his personality through
the power of money to dominate and impress other men. Those who succeed
enjoy, while those who fail are trampled; such is the “Comédie Humaine,”
as Balzac exhibits it in a total of eighty-five works of prose fiction,
not counting dramas, essays and reviews.
He was born of a bourgeois family and educated for a lawyer. But he
wanted to write, and because his family would not support him, he went
away and starved most hideously in a garret. The hunger which he there
acquired was not merely of the stomach and the senses, but of the
intellect and soul. He became a ferocious, almost an insane worker. He
was greedy for facts, and never forgot anything; he acquired a whole
universe of detail, names, places, technical terms, the appearances of
persons and things, human characteristics, anecdotes, conversations. He
wove these into his stories, he constructed vast panoramas of French
society, colossal processions marching past without end. The bulk of his
work is so enormous that you may spend your lifetime reading Balzac,
exploring the lives of his two or three thousand characters.
What will you know when you get through? You will know French bourgeois
civilization, high and low, rich and poor, good and evil. You will
observe the rich growing richer and the poor growing poorer; you will
discover the greedy devouring the good and patient and honest--and then
coming to ruin through their own insensate desires. It is brilliant,
vivid, as real as genius can make it, and at first you are enthralled.
How marvelous, to learn about the world without the trouble of going
into it! But after you have read for a month or two, another feeling
steals over you, a feeling of familiarity: you know all this, why read
any more? Life is odious and cruel, it makes you ill; your one thought
becomes, can anything be done about it? Is there any remedy? And from
that moment you are done with Balzac.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account