Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Having got the houses built, what next? Why then, to save us from the
Idleness-Imp we set to work knocking the houses down with cannon-balls.
I don’t mean that Carlyle always advocated war; what he did was to
glorify systems of government which historically have resulted and
psychologically must result in war. At the age of fifty-eight, having
surveyed the whole of history, our Scotch hero-worshipper selected the
greatest of human heroes to become the subject of a grand state
biography in six volumes: and whom do you suppose this hero turns out to
be? Frederick of Prussia, who stole Silesia from his cousin, and seized
Poland and divided it up among Austria, Russia and himself; Jonathan
Wild the Great, founder of the Hohenzollern Heroism, and
great-great-grandfather of our World War!
I dutifully read those six large volumes, and studied the series of
charts in which the strategy of Frederick’s military campaigns is set
forth. I learned a fascinating parlor game, which consists in moving
here and there little black and white oblongs representing regiments and
brigades and divisions and other military formations of human beings.
The white oblongs represent your own human beings, and the black oblongs
represent the human beings you propose to destroy; you pound them to
pieces with artillery, you sweep them with volleys of musketry, you
charge them with cavalry and chop them with sabres--and then you move up
other oblongs, called reserves, and continue the procedure. It is safer
to play this game on paper, because when you get through, you can throw
the paper into the waste-basket, and do not have some tens of thousands
of dead and mutilated men and horses decaying all over your back yard.
A pitiful ending for a Prophet and Preacher who aspires to the Remaking
of Mankind in Capital Letters! Just a poor, bewildered old dotard,
dyspeptic and crotchety, helpless and blundering, aspiring to a certain
end and working to the opposite end.
“But why should anyone consider such a man great?” asks Mrs. Ogi.
“I have been trying to formulate that to myself. It is because he had
the grace to be unhappy about our modern world. He did not get drunk on
moonshine; he did not tell himself that God was going to do what it was
obviously the business of men to do. He didn’t persuade himself that
Evolution was going to do it, or that Time was going to do it, or that
Faith was going to do it. He didn’t prattle about one increasing purpose
running through the ages, or about one far-off divine event to which the
whole creation moves. He didn’t decide to dream his dream and hold it
true, or to have moments when he felt he could not die. He didn’t tell
us that Love will conquer at the last, or that his faith was large in
Time--”
“This appears to be a transition,” says Mrs. Ogi.
“Precisely. We are about to begin a new chapter: The Lullaby Laureate,
or Queen Victoria’s Super-Soothing Syrup.”
CHAPTER LXIX
THE LULLABY LAUREATE
Public-domain text, read in full here on John Shaqi.
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