Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
--Ogi, wishing to make sure about this point, goes to the source of all
information on the subject of refinement in sex matters. “Tell me,” he
says, “if you were to die, would it be indelicate of me to marry one of
your younger sisters?”
Mrs. Ogi, who has never read the Mosaic code, and is not learned in the
Victorian lunacies, looks at her husband with a puzzled expression. “I
helped to raise my sisters,” she says. “Surely any wife would want to
leave her husband in safe hands!”
CHAPTER LXXII
GOD SAVE THE PEOPLE
In the first half of this nineteenth century the British factory system
came to maturity; the capitalist class took charge of society, and
forced the working class into a condition of degradation hitherto
unknown upon this planet. The class struggle took definite
shape--Chartist agitations and suffrage reform bills and Corn Law
riots--and there arose in England a man of genius to tell about the
wrongs of the people from his own first-hand experience.
His father was a wretchedly paid government clerk, who had no
acquaintance with the birth control movement. Charles Dickens was one of
eight half-starved children, and went to work at the age of ten in a
filthy, ramshackle blacking factory. The cruelties he there experienced
stamped his soul for life, and helped to make the radical movement of
the English-speaking world.
Later on he got a chance to go to school, and became a court
stenographer and newspaper reporter, and saw the insides of ruling-class
rascality. He began writing humorous sketches which turned into the
“Pickwick Papers,” and so at the age of twenty-four he was carried up
into a golden cloud of glory. World fame and success were his for the
balance of his life; but he never entirely forgot the meaning of his
early days, and remained to some extent an apostle of the poor and
oppressed.
Public-domain text, read in full here on John Shaqi.
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