Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Dickens himself was entirely instinctive in his class feelings; his mind
was a typical middle-class muddle, and his remedy for the ills he
pictured was kindness and poor law reform and charity bazaars--hanging
paper garlands about the neck of the tiger of capitalism. The British
masses needed time in which to find out how to bind and destroy this
beast; but the first service was to proclaim the fact that this
capitalist world is a world impossible for sensitive and decent human
beings to endure--a world in which justice has become the Circumlocution
Office, and truth has become Thomas Gradgrind, and Christianity has
become Mr. Pecksniff and Uriah Heep.
CHAPTER LXXIII
THE COLLECTOR OF SNOBS
Emerson, commenting upon the old saying that “No man is a hero to his
valet,” put the question: “What hero ever had a valet?” This goes to
prove that Emerson was not a reader of popular fiction; for if he had
been following the novels of William Makepeace Thackeray in “Fraser’s
Magazine,” he would have known that it is impossible for any hero to be
without a valet. In Dickens we enter into the lives of the poor, and in
Thackeray we enter into the lives of the rich, and it is hard for us to
decide which class has the greater claim to our pity.
Thackeray was bom in India, his father being a government official. They
tried to educate him at Cambridge, but it didn’t take, because he was
incorrigibly desultory, a big, good-natured fellow who loved eating and
drinking and gambling and good fellowship--everything, in short, but
hard work. He early lost his fortune, trying to publish a paper; then he
had to work, and became a contributor to “Punch,” and developed a
faculty for burlesque verses and satiric sketches.
In my youth there was general complaint that Thackeray was “a cynic.”
Let us settle that question at the outset; he was one of the most
sentimental souls that ever walked about the world in trousers. But he
had a pair of eyes, and he saw in the fashionable society around him a
hundred different varieties of snobs; he collected them into a “Book of
Snobs”--each one like a butterfly stuck on a pin. He went on to write a
series of novels, full of scoldings varied by ridicule of human vanity
and folly.
Public-domain text, read in full here on John Shaqi.
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