Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
It often happens that the student learns about new and vital movements
through the writings of their opponents. Thus the present writer was
made into a rationalist by the reading of Christian apologetics. In the
same way I learned about Whitman from an essay by Sidney Lanier, a
respectable gentleman-poet from the South, who demonstrated that
Whitman’s claim to be the voice of democracy was nonsense; the masses of
the people had no interest whatever in this eccentric poetry, and could
not understand what the poet was driving at.
Does a poet necessarily have to be appreciated by those of whom he
writes? Or is it possible to tell something about people which they
themselves do not yet know? If a man is picking apples, he is obeying
the laws of gravitation, and the apples likewise are obeying it. Sir
Isaac Newton comes along, and interprets the behavior of the man and of
the apples. Does the truth of Newton’s law depend upon the assent of the
apple-picker?
Walt Whitman did really know the American people, the masses, as
distinguished from the cultured few; he knew them as no man of letters
up to that time had known them. He believed there were tremendous,
instinctive forces working within them, and that he, as poet and seer,
could enter into that unconscious mass-being and understand it and guide
it. He believed that he was laying out the path which democracy would
follow, he was voicing the desires it would feel, the love and
fellowship and solidarity it would embody in institutions and arts.
Whether he was right in these intuitions and mystical prophesyings was
for the future to decide. Certainly there were two kinds of persons in
Whitman’s own day who could not decide; one was the average wage-slave,
ignorant and groping; and the other was a gentleman from Georgia, who
made excellent but customary rhymes about birds and brooks and flowers.
Walt Whitman was one of those mystics to whom the inner essence of all
things is the same; all life is sacred, and all men are brothers in a
common Fatherhood. Jesus taught that, and in the nineteen hundred years
which have since passed new prophets have arisen every now and then to
revive it--but the Christians are just as much scandalized every time.
Whitman’s title, “Leaves of Grass,” under which he included all his
poems, means that he chose the most common and least distinguished
product of nature for his symbol of the human soul. The poet himself was
one of these “Leaves of Grass,” and celebrated himself as the
representative and voice of the rest. He sang the song of himself, and
his contemporaries thought this was crude and barbarous egotism. This
big bearded fellow who printed his own poems, with a preface to tell how
great they were, and his picture in a workingman’s dress without a
necktie--he was nothing but a hoodlum, and the critics called for the
police.
Public-domain text, read in full here on John Shaqi.
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