Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Is it poetry? That is a question over which battles are fought. It seems
to me that words matter little; it is a kind of inspired chant, which
moves you if you are susceptible to its ideas. For two years I steeped
myself in the literature of the Civil War, while writing “Manassas”; and
to me at that time “Drum-Taps” seemed to contain all the fervor and
anguish of the conflict. But the everyday person, who does not rise to
those heights, prefers “O Captain, My Captain,” which has the easier
beauties of rhyme and fixed rhythm.
The critics have by now got used to Whitman’s honesty about sex; the
only stumbling block is his long catalogues of things. He will sing the
human body, and give you a list of the parts thereof: and can that be
poetry? But you must bear in mind that Whitman is more a seer than a
poet. “Sermons in stones,” said Shakespeare; and if the stones had
names, Whitman would call the roll of them, and each would be a mystic
symbol, and the total effect would be a hypnotic spell. It is an old
trick of those who appeal to the subconscious mind; in the English
Prayer-Book, for example, there is a chant: “O, all ye Works of the
Lord, bless ye the Lord, praise Him and magnify Him forever.” The hymn
goes on to name all the various aspects of nature: “O, all ye Showers
and Dew ... O, all ye Fire and Heat ... Ye Lightnings and Clouds ... Ye
Mountains and Hills ... Ye Seas and Floods ... Ye Fowls of the Air ...
Ye Beasts and Cattle.” ... and so on through the many Works of the Lord
which are invited to praise Him and magnify Him forever. So, if you are
a mystic, you may contemplate with awe each separate miraculous product
of that mysterious organizing force which has created a living human
body.
The mystical life has its dangers, and also, alas! its boredoms. I have
stated in the chapter on Emerson that there is no absolute which is not
equally as false as it is true. Whitman has raised up a host of
imitators, and I have read their alleged “free verse,” and record the
fact that it was surely a waste of my time, and apparently a waste of
theirs. Also, I have known many followers of Walt Whitman, the greater
number of whom have chosen to follow the poet’s eccentricities, rather
than his virtues. You see, it is so much easier to leave off a necktie
and “loaf,” than it is to have genius and create a new art form! Whitman
is not alone in suffering through his disciples; Jesus had that tragic
fate, and Nietzsche, and Tolstoi, and many another major prophet!
CHAPTER LXXXI
CABBAGE SOUP
We have been following the fortunes of a pioneer people breaking into
the field of world culture. Let us now travel part way round the earth
in either direction, and watch another pioneer people doing the same
thing.
Public-domain text, read in full here on John Shaqi.
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