Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
If Tolstoi’s conversion had had to do with sex matters alone, it would
have had but little significance. But it was something far greater than
that; it was the cry of anguish of a member of the privileged classes,
who realized that his whole life, all his equipment of leisure and
knowledge and power, was made out of the blood and sweat and tears of
the debased masses of his Russian people. He wanted to give up his
landed estates, and live as a peasant, and return to the workers what he
had taken from them. But, alas, in the meantime he had raised a large
family, and this family had something to say about the matter. The
Countess Tolstoi had been her husband’s devoted helper, so long as he
was content to remain a literary man; but when he wanted to become a
prophet and a saint, she thought he was mad. She had the children to
look out for, and the children, of course, wanted to grow up as their
father had done, in the great world of pleasure and fashion.
Tolstoi himself retired to live in a hut; he put on peasant’s clothes
and spent his time cobbling shoes. He gave up his copyrights, but he
could never get the courage to give up his land; so he continued to grow
rich, in spite of all his agonized preachings, and the balance of his
life was continuous contradiction and disharmony. In the end he could
stand it no longer; he saw his children quarreling over the property,
like so many birds of prey over a carcass, and so he went out from his
home, with no one but his secretary. For a time no one knew where he
was, and at last he was discovered, ill and dying. His flight was one of
the great gestures of history, and the scenes which took place about his
death-bed summed up in dramatic form all the conflicting forces of the
time.
Tolstoi had repudiated the Russian church as a creature of superstition
and exploitation. He had gone back to primitive Christianity, and the
church had excommunicated him. Now, when he was dying, they wanted to
get him back, realizing that their very existence depended upon it. If
they could not persuade him to confess and repent, they would lie about
it, and say that he had done so, as orthodox churches have done for many
other great heretics. So here were Tolstoi’s friends, mounting guard in
the railroad station where he lay dying, to keep the priests and the
bishops away! And here also were the police agents and spies, a swarm of
vermin, prying into the affairs of every person about the death-bed, and
telegraphing in panic to headquarters for instructions. When the great
soul had passed on, and the body had to be moved, some students tried to
sing a hymn, and there were the usual scenes of brutality to which the
Russian people were accustomed.
Public-domain text, read in full here on John Shaqi.
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