Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Strindberg came close to the line of insanity; he spent two or three
years in a sanitarium, and wrote a book about these borderland states,
“Inferno.” Then he took up with Swedenborg, and evolved into a Christian
mystic, and went back into a second childhood of bible-worship. But that
did not keep him from carrying on frantic quarrels with his enemies, and
pouring out many volumes of personalities. Strangely enough, there is a
kind of impersonality in it all, because the man is so tragically
earnest. He is trying to find the truth, and puts himself before us as
a document; no one but Rousseau has done this so completely. Therefore,
we think of Strindberg as one of the great teachers. Let the artist give
us truth, and we can always find use for it.
CHAPTER XCII
THE OVERMAN
Another great writer of this time was troubled about the problem of the
ladies. August Strindberg married three, and experienced three
tragedies. Friedrich Nietzsche sought to marry one, but she would not
have him; after which he wrote contemptuously of them all. Despite the
fact that he was a clergyman’s son, he suffered from hereditary
syphilis, and went insane--a tragic waste of the greatest genius of
modern times.
Nietzsche was born in 1844, and became a professor of philology at a
Swiss university. His health broke down from eye-strain at the age of
thirty-five, and he retired upon a small pension. His insanity came at
the age of forty-five, and he lived eleven years longer, slowly rotting
to pieces, and meantime growling like a wild beast.
Nietzsche’s enemies, of course, made the most of this cruel fate; they
said that he was insane all the time. That is an easy way to dispose of
his writings--easy for the average person, who has never experienced
such emotional states as Nietzsche dealt with, and does not wish to be
troubled by them. But a few who have experienced these states are in
better position to decide. Nietzsche’s mature work is perfectly sane; it
contains many contradictions, but we have to permit an original mind to
grow. His masterpiece, “Thus Spake Zarathustra,” contains the greatest
imaginative writing of several centuries.
But we must remember that these books were written by a man who was ill
and suffering atrociously. He declared that every year meant for him two
hundred days of pain. His view of life is the product of a pain-driven
mind, like the ecstasy experienced by martyrs undergoing torture. We do
not expect ordered and systematic thought from such persons; but we may
learn from them strange secrets concerning the possibilities of the
human spirit.
Public-domain text, read in full here on John Shaqi.
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