Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
He was the strangest figure in which the soul of a poet was ever housed.
As a child he had been beautiful, but something must have gone wrong
with his glands, so that his head grew faster than his body. He
developed a noble brow, but a weak mouth and receding chin; his enormous
head was lighted by two bright green eyes, and covered with a shock of
vivid red hair. When he became excited, which he was liable to do at a
moment’s notice, his arms and legs began to jerk convulsively, and he
would rush about the room, orating vehemently, perhaps hopping upon the
sofa, like a bright-colored parrakeet. He was an omnivorous reader, and
knew all the poetry there was in the world--most of it by heart, and
would pour it out by the hour, in Latin, Greek, French, Italian or
English. If he became too much excited, he would suddenly have a fit and
fall unconscious, to the terror of the company; but after a while he
would come to, just as lively and full of words as ever.
In his childhood and youth, according to the English custom, they filled
him up with Greek and Latin verses; he absorbed the bad as well as the
good, wine and women as well as song. Then he came under the spell of
Victor Hugo, who filled him with a fervor for liberty. It is an
interesting illustration of the influence a great poet can exert.
Swinburne worshipped Hugo with frenzied extravagance, and remained a
disciple of republicanism all through his seventy-two years; and this
without the slightest actual contact with republicanism, without
anything in his environment or his actions to explain such revolutionary
fever.
Worldly impracticability was carried to its last extreme in this
combustible youth; he always had to have somebody to take care of him,
and fell under the spell of one personality after another: Rossetti,
William Morris, Mazzini, and finally Watts-Dunton, who literally saved
his life. Swinburne would come up to London and engage in what he called
“racketing”--by which he meant stimulating his frenzies with alcohol. He
would keep this up until he was completely prostrated, and then his
father or one of his friends would carry him off to the country and
mount guard over him, and there he would live a quiet and placid
literary life until the world lured him forth again. By the time he was
forty he had carried his dissipation to such extremes that he was all
but wrecked. One by one his friends had to give him up, and he was
living in wretched lodgings at the point of death.
Public-domain text, read in full here on John Shaqi.
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