Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Do you think that I am making too much of this frailty of George
Meredith? I answer that it is the key to the understanding of everything
he wrote. Stop and think what it means that a man who possessed one of
the great intellects of his time, who had all the wisdom of all the ages
at his command, should be so bowed down with awe before the spirit of
caste that he was willing to lie about himself. I do not mean merely
that such a man’s whole life would become a pose; that he would pretend
to be abnormally spiritual and ascetic, when as a matter of fact he was
strongly attracted to lark-pies; that he would study his features, and
observing that he had a refined and sensitive profile, would place
himself at the window in such a position that his adorers would gaze
upon this profile during the course of their visit. What I mean is that
this man would have a caste-ridden mind; the subtleties of caste
distinction, the minute details of appearance and conduct and thought by
which caste superiority is manifested and maintained--this is the stuff
out of which the man’s novels would be made, and the theme upon which
his superfine intellect would be concentrated.
And so it is in the Meredithian universe. The dark, grim, vaguely
shadowed Nemesis of the Greeks is gone; Jehovah with his thunders has
been laid away with the other rubbish in the garret; what is left, to
dominate the lives of men and women, to blast their hopes and lure them
to ruin and despair, is social convention. And all such convention may
be boiled down into one formula: thou shalt not break into a caste
higher than that to which you were born. You may have money, and try it;
you may pretend to have money, and try it; but in both cases alike you
will fail. Meredith gives us masterpieces in the way of impostors trying
to break in; he is even willing, under the veil of art, to use his own
tragic life-story, and in “Evan Harrington” he tells about a tailor’s
son who tries to break in. He turned such blasts of ridicule upon the
poor tailor family and the poor tailor state of being, that Meredith’s
tailor father down in South Africa was shriveled up with shame, and
could not thereafter endure to hear his son’s novels discussed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account