Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
No sovereign, no court, no personal loyalty, no aristocracy, no
church, no clergy, no army, no diplomatic service, no country
gentlemen, no palaces, no castles, no manors, nor old
country-houses, nor parsonages, nor thatched cottages, nor ivied
ruins; no cathedrals, no abbeys, nor little Norman churches; no
great Universities nor public schools--no Oxford, nor Eton, nor
Harrow; no literature, no novels, no museums, no pictures, no
political society, no sporting class--no Epsom nor Ascot!
CHAPTER XCIX
THE PREMIER NOVELIST
We have studied two great novelists of the later Victorian age who
failed of wide popularity. We shall not understand that age completely
unless we study one who was crowned, not merely by the critics, but by
the mass of novel-reading ladies.
Mrs. Humphry Ward was her name, and she takes me back to the days when
I was a poor devil of a would-be writer, half starving in a New York
lodging-house. What made success in the world of books? I had to know,
or die; and the New York “Times” was kind enough to publish a weekly
review to give me the information. Every year or two there would appear
a new novel by Mrs. Humphry Ward; and always this novel would be the
occasion for a grand state review, signed by the name of some eminent
pundit, occupying pages one and two, with a large portrait on page one.
So I knew that Mrs. Humphry Ward was modern literature, and read each
novel as part of my life training.
I read it with a mingling of interest and fear; interest, because it
told me about a set of people whom I knew did actually exist, and did
actually govern the world in which I lived; and fear, because this set
of people, so obviously both predaceous and stupid, were so powerfully
buttressed by the prestige of snobbery, and protected by the holy mantle
of religion. No novelist every worshipped Mammon-respectability more
piously or portrayed it with more patient devotion than Mrs. Humphry
Ward in her later years.
She was brought up in the inner circle of culture; her father was an
Oxford big-wig, and Matthew Arnold was her “Uncle Matt.” Everything that
education could do for a young girl was done for her, and she was
writing a history of Spain at the age of twenty. Incidentally, she was
dreaming a wonderful dream--that some day she might be presented at
court.
Public-domain text, read in full here on John Shaqi.
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