Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
“I never could find out. It was all about British political life;
people were pulling and hauling and intriguing, but I never could
understand what their principles were, or what they expected to do when
they got elected.”
“That’s the point exactly; there are no principles, there are only
parties. Whichever one gets in constitutes the ‘government,’ and its
task is to hold labor by the throat while capital picks its pockets.
Labor produces a sovereign a day, and capital takes it, and gives labor
four shillings wages, and labor tips its cap and is grateful. And then
capital’s favorite lady-novelist comes round with a market basket
containing sixpence worth of food and medicine; which is called charity,
and is the means of getting labor’s vote at election time.”
Such was the private life of Mrs. Humphry Ward. She was what is called
“philanthropic”; that is, she was prominent in those society activities
which help the poor by playing upon the vanity and love of display of
the rich. Her life consisted in rushing about from one meeting to
another, shaking hands and chatting, rushing home to dress and dine with
prominent people, and then reading about it in the next day’s
newspapers. She was so busy with all this that she could only find half
an hour a day in which to read Greek!
The characters in her books are busy with the same kind of activities.
The leading man is a handsome young aristocrat, whose occupation is
becoming premier. We never have any idea why he wants to be premier,
except that as hero that is his function. The idea that the people of
England should ask reasons for making an empty-headed noodle into their
premier is one that never occurs to anyone in the novels. What interests
us is the efforts of the young man’s friends to push him in, and the
efforts of his enemies to bar him out.
Public-domain text, read in full here on John Shaqi.
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