Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
I would say to myself, mournfully, that America had “got” Jack London,
just as it “got” Mark Twain! But then something would happen to show me
that I had given up hope too soon. Jack had a mind which worked
unceasingly, and impelled him irresistibly; he had a love of truth that
was a passion, a hatred of injustice that burned volcanic fires. He was
a deeply sad man, a bitterly, cruelly suffering man, and no one could
tell what new vision he would forge in the heat of his genius. If I
write of him here severely it is because I believe in the rigid truth,
which he himself preached; but I would not leave anyone with the idea
that I do not appreciate his greatness, both as a writer and a man.
There were many among his friends and mine who gave him up. He went to
Hawaii, and the “smart set” there made a lion of him, and he
condescended to refer appreciatively to their “sweet little charities”
on behalf of the races they were exploiting. He went to Mexico, and fell
under the spell of the efficiency of oil engineers, and wrote for
“Collier’s Weekly” a series of articles which caused radicals to break
out in rage. Jack was a boy to the end, and must make new discoveries
and have new enthusiasms. If a naval officer took him over a
battleship, he would perceive that it was a marvelous and thrilling
machine; but then in the quiet hours of the night he would see the
pitiful white faces of the stokers, to whom as a guest of an officer he
had not been introduced!
Yes, for he had been in the place of these stokers, and their feelings
had been stamped upon his soul. He might set up to be a country
gentleman, and fall into a fury with his “hands” for their stupidity and
incompetence; but if you said to him, “How about the class war?”
instantly he would be there with his mind. “Yes, of course, I know how
they feel; if I were in their place I would never do a stroke of work I
did not have to.” It is a stressful thing to have an imagination, and to
see many sides of life at once!
Jack had a divine pity, he had wept over the East End of London as Jesus
wept over Jerusalem. For years afterwards the memories of this stunted
and debased population haunted him beyond all peace; the pictures he
wrote of them in “The People of the Abyss” will be read by posterity
with horror and incredulity, and recognized as among the most powerful
products of his pen. Those, with his vivid and intensely felt Socialist
essays, constitute him one of the great revolutionary figures of our
history. I know that he kept a spark of that sacred fire burning to the
very end, for a little over a year before his death I tried him with the
bulky manuscript of “The Cry for Justice.” The preface he wrote for it
is one of the finest things he ever did, and some of it will be carved
upon his monument:
Public-domain text, read in full here on John Shaqi.
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