For one thing, this worldly wise poet knows how to tip us a wink, even while handing out flattery to his patron. For another thing, his Mæcenas seems to have been a really worthy soul. I know how easy it is to love a rich man; but in Rome it must have been hard to find a rich man who could be loved at any price. Horace was a man of humble tastes; all he wanted was to live in his books, and to escape the brawl and fury of politics. We might have expected him to fall down on his knees and kiss the hand of a man who gave him a quiet home, with fruit-trees around him, and snow-capped mountains in the distance, and a crackling log fire in winter-time. But, as a matter of fact, the poet was quite decent about it. He asserted the right of a man of letters to live an independent life--quite a “modern” idea, and hard for brutal rich Romans to understand. Every now and then Horace would have to visit his patron and friend, and meet some of these haughty conquerors of the world, and be put in his place by them. The father of Horace was what the Romans called a “freedman”; that is, he had formerly been a slave, and the great world sneered at the poet on that account. But instead of being ashamed of his ancestry, and trying to hide it, Horace put his old father into his books, for all Rome to meet. Yes, said the poet, that fond old freedman father brought his little boy to Rome to get an education, and walked every day to school with him, carrying his books and slate. We can honor this honest gentleman, and read his charming verses with pleasure--but without committing the absurdities of the classical tradition, which ranks Horace as a great poet. He was a pioneer man of letters, and in that way made history; but there is nothing he wrote that the world has not learned to write better today. There are a score of young fellows writing verses for the columns of American newspapers who can turn out just as witty and clever and human stuff. “F. P. A.” has written “take-offs” on Horace, which shock the purists, but would have delighted Horace. Louis Untermeyer has published volumes of such mingled wisdom and wit; and there is Austin Dobson, and above all, Heine--a man who writes verse of loveliness to tear your heart-strings, and at the same time had the nerve to hit out at the ruling-class brutes of his age. “Wasn’t there a single artist in Rome who revolted?” asks Mrs. Ogi. “Yes, there was one. He also was the son of a freedman, and came nearly a century after Virgil and Horace, in the reign of the infamous Domitian. His name was Juvenal, and he wrote satires in which he flayed the aristocracy of the empire for their vileness and materialism. I once published a novel, ‘The Metropolis,’ in which I did the same thing for the so-called ‘Four Hundred’ of New York; and it is interesting to compare the two pictures--” “Now don’t you start talking about your own books!” cries Mrs. Ogi.