Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
He became a government agent, collecting naval stores. He was not a
great success: one of his subordinates defaulted, and he was put in
prison. He lived in straitened circumstances, in a household with five
women relatives and his sense of humor. Then he tried writing; for
twenty years he wrote every kind of thing which a man of his time could
imagine would bring a living, but all in vain. He was not a university
man and so the critics of his time considered him presumptuous in
attempting to break into their sacred ranks. Until he was fifty-eight
his life was a failure.
Then he hit upon the idea of ridiculing the established literature of
chivalry, by bringing it into contact with the every-day realities of
Spain. He created a character very much like himself; except that the
old Don Quixote had read so many romances that his head was turned, and
he began to take them seriously, mounted his old nag and rode out to
rescue damsels, and to mistake a barber’s basin shining in the sun for a
helmet, and wind-mills for giants who must be overthrown. The story
rambles along from one comical adventure to the next, and brings in
almost every type of person in Spain. It became an instant and
enormously popular success; but poor Cervantes got practically nothing
out of it, because editions were pirated all over the country. He was a
failure to the end--and curiously enough, did not get any satisfaction
even from his fame. He was ashamed of his popular book, and quite sure
that mankind would some day appreciate his long poems, “The Journey to
Parnassus,” and the pastoral romance, “Galatea,” and the romantic poem,
“Persiles and Sigismunda.”
Many of the world’s greatest writers have thus fallen victim to
culture-snobbery. Shakespeare was despised by the academic critics of
his own time, and apparently did not think enough of his own plays to
see that posterity got a correct edition of them. When I was a boy we
all read “Tom Sawyer” and “Huckleberry Finn,” and “laughed our heads
off” over them; but if anybody had suggested to us that Mark Twain
might be one of the world’s great writers, we should have thought it a
Mark Twain joke.
Public-domain text, read in full here on John Shaqi.
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