Some hours earlier, Julius had sacrificed himself to the duties of his political position--as made for him by his father. He had submitted to the dire necessity of delivering an oration to the electors, at a public meeting in the neighboring town of Kirkandrew. A detestable atmosphere to breathe; a disorderly audience to address; insolent opposition to conciliate; imbecile inquiries to answer; brutish interruptions to endure; greedy petitioners to pacify; and dirty hands to shake: these are the stages by which the aspiring English gentleman is compelled to travel on the journey which leads him from the modest obscurity of private life to the glorious publicity of the House of Commons. Julius paid the preliminary penalties of a political first appearance, as exacted by free institutions, with the necessary patience; and returned to the welcome shelter of home, more indifferent, if possible, to the attractions of Parliamentary distinction than when he set out. The discord of the roaring “people” (still echoing in his ears) had sharpened his customary sensibility to the poetry of sound, as composed by Mozart, and as interpreted by piano and violin. Possessing himself of his beloved instrument, he had gone out on the terrace to cool himself in the evening air, pending the arrival of the servant whom he had summoned by the music-room bell. The man appeared at the glass door which led into the room; and reported, in answer to his master’s inquiry, that Mrs. Julius Delamayn was out paying visits, and was not expected to return for another hour at least. Julius groaned in spirit. The finest music which Mozart has written for the violin associates that instrument with the piano. Without the wife to help him, the husband was mute. After an instant’s consideration, Julius hit on an idea which promised, in some degree, to remedy the disaster of Mrs. Delamayn’s absence from home. “Has Mrs. Glenarm gone out, too?” he asked. “No, Sir.” “My compliments. If Mrs. Glenarm has nothing else to do, will she be so kind as to come to me in the music-room?” The servant went away with his message. Julius seated himself on one of the terrace-benches, and began to tune his violin. Mrs. Glenarm--rightly reported by Bishopriggs as having privately taken refuge from her anonymous correspondent at Swanhaven Lodge--was, musically speaking, far from being an efficient substitute for Mrs. Delamayn. Julius possessed, in his wife, one of the few players on the piano-forte under whose subtle touch that shallow and soulless instrument becomes inspired with expression not its own, and produces music instead of noise. The fine organization which can work this miracle had not been bestowed on Mrs. Glenarm. She had been carefully taught; and she was to be trusted to play correctly--and that was all. Julius, hungry for music, and reigned to circumstances, asked for no more.