Man or Matter: Introduction to a Spiritual Understanding of Nature on the Basis of Goethe's Method of Training Observation and ThoughtLehrs, Ernst
Religion
Man or Matter: Introduction to a Spiritual Understanding of Nature on the Basis of Goethe's Method of Training Observation and Thought
Lehrs, Ernst
Anthroposophy; Cosmology; Goethe, Johann Wolfgang von, 1749-1832
As we know of mass through a definite sense-perception, so we know of
heat. In the latter case we rely on the sense of warmth. In Chapter
VIII we took the opportunity to test the objectivity of the information
received through this sense. Still, one-eyed, colour-blind observation
is naturally unable to take account of these sense-messages. To this
kind of observation nothing is accessible, we know, except spatial
displacements of single point-like entities. Hence we find Bacon and
Hooke already attributing the sensation of warmth to minute fast-moving
particles of matter impinging on the skin. Some time later we find
Locke taking up the same picture. We see from this how little the
mechanical theory of heat owes to empirical facts. For even in Locke's
time the connexion between heat and mechanical action, as recognized
to-day, was completely unknown.
With this idea firmly rooted in his mind, modern man had no difficulty
in using it to explain both thermal expansion and the effect of heat on
the different states of matter, and so, finally, these states
themselves. Thermal expansion was thus attributed to an increase in the
average distance between the assumed minute particles, caused by an
increase in their rate of movement; the liquid state was held to differ
from the solid, and similarly the gaseous from the liquid, by the
interspaces between the particles becoming relatively so great that the
gravitational pull between them became too weak to hold them together.
Tested from a view-point outside the onlooker-consciousness, this whole
picture of the interaction between matter and heat appears to run
counter to the cosmic order of things in a way typical of other
spectator-theories. Ancient man, if confronted with this picture, would
have said that it means explaining the element Fire by the quality
Cold. For each of those minute particles, in its solidity and state of
spatial separation from the others, represents an effigy of the earth
and thereby the element Earth itself. He would be unable to understand
why phenomena of the 'warm' element Fire should be explained by its
very opposite. Moreover, Fire forms part of the ever 'youthful' realm
of the world, whereas anything which exists as a spatially discernible
entity, capable of being moved about mechanically, must have grown
cosmically 'old'.
That Ruskin was as much on the alert in regard to this theory as he was
in regard to Newton's theory of gravitation, is shown by the following
utterance from his The Queen of the Air. Obviously stirred by Tyndall's
newly published treatise, Heat as a Mode of Motion, Ruskin felt the
need to criticize the endeavour of contemporary science 'to simplify
the various forms of energy more and more into modes of one force, or
finally into mere motion, communicable in various states, but not
destructible', by declaring that he would himself 'like better in order
of thought3 to consider motion as a mode of heat than heat as a mode of
motion'.
Public-domain text, read in full here on John Shaqi.
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