Man or Matter: Introduction to a Spiritual Understanding of Nature on the Basis of Goethe's Method of Training Observation and ThoughtLehrs, Ernst
Religion
Man or Matter: Introduction to a Spiritual Understanding of Nature on the Basis of Goethe's Method of Training Observation and Thought
Lehrs, Ernst
Anthroposophy; Cosmology; Goethe, Johann Wolfgang von, 1749-1832
The emergence of the sense-bearing word from the merely ringing sound
is an exact counterpart to what takes place in nature when the play of
organic liquids, regulated by the chemical ether, is caused by the
life-ether to solidify into outwardly perceptible form. By reading in
this way the special function of the life-ether among the other three,
we are led to the term ' Word-ether' as an appropriate second name for
it, corresponding to the term sound-ether for the chemical ether.
*
Thus Levity presents itself to us as being engaged in the fourfold
activity of Chaoticizing, Weaving, Sounding and, lastly, Speaking the
form-creative Cosmic Word into the realm of Gravity.
1 To avoid misunderstandings, it should be emphasized that spiritual
Imagination is not attained by any exercise involving directly the
sense of sight and its organ, the eye, but by purely mental exercises
designed to increase the 'seeing' faculty of the mind.
2 Indeed, it is a misunderstanding of the whole meaning of
Anthroposophy when its contents are quoted - as they sometimes are even
by adherents - in such a way as to suggest that by their help a better
'explanation' may be gained of matters for which there is otherwise no,
or at least no satisfactory, explanation. The question: 'How does
Anthroposophy explain this or that?' is quite wrongly put. We ought
rather to ask: 'How does Anthroposophy help us to read more clearly
this or that otherwise enigmatical chapter of the script of existence?'
3 See Space and the Light of Creation, by G. Adams, where this
'weaving' is shown with the help of projective geometry.
4 Translation by J. Darrell.
5 We may recall here also the passage from Ruskin's The Queen of the
Air, quoted earlier, p. 118).
6 That the ether, apart from being supersensibly seen, is also heard,
was empirically known to Goethe. See the opening words of the 'Prologue
in Heaven" (Faust, I) and the call of the Spirit of the Elements in the
first scene of the Second Part of the drama, which follow upon the
stage direction: 'The sun announces his approach with overwhelming
noise.'
7 By attending Chladni's lectures on his discovery in Paris the French
physicist Savart became acquainted with this phenomenon and devoted
himself to its study. Chladni and Savart together published a great
number of these figures.
8 Understanding the attributes of the chemical ether enables us to see
in their right perspective Rudolf Steiner's suggestions to farmers for
the preparation of the soil and for keeping healthy the crops growing
on it. Attempts have been made to dismiss these suggestions by calling
them 'mysticism' and 'mediaeval magic'. Both terms are titles of honour
if we understand by the one the form of insight into the supersensible
realm of nature acquired by the higher mode of reading, and by the
other a faculty of nature herself, whose magic wand is the chemical or
sound-ether.
Public-domain text, read in full here on John Shaqi.
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