Man, Past and PresentKeane, A. H. (Augustus Henry)
History
Man, Past and Present
Keane, A. H. (Augustus Henry)
Anthropology; Ethnology
But the thinly-spread Indo-Javanese culture, in few places penetrating
much below the surface, received a rude shock from the Muhammadan
irruption, its natural development being almost everywhere arrested, or
else either effaced or displaced by Islam. No trace can any longer be
detected of graphic signs in Borneo, where the aborigines have retained
the savage state even in those southern districts where Buddhism or
Brahmanism had certainly been propagated long before the arrival of the
Muhammadan Malays. But elsewhere the Javanese stock alphabet has shown
extraordinary vitality, persisting under diverse forms down to the
present day, not only amongst the semi-civilised Mussulman peoples, such
as the Sumatran Rejangs[530], Korinchi, and Lampongs, the Bugis and
Mangkassaras of Celebes, and the (now Christian) Tagalogs and Visayas
of the Philippines, but even amongst the somewhat rude and pagan Palawan
natives, the wild Manguianes of Mindoro, and the cannibal Battas[531] of
North Sumatra.
These Battas, however, despite their undoubted cannibalism[532], cannot
be called savages, at least without some reserve. They are skilful
stock-breeders and agriculturists, raising fine crops of maize and rice;
they dwell together in large, settled communities with an organised
government, hereditary chiefs, popular assemblies, and a written civil
and penal code. There is even an effective postal system, which utilises
for letter-boxes the hollow tree-trunks at all the cross-roads, and is
largely patronised by the young men and women, all of whom read and
write, and carry on an animated correspondence in their degraded
Devanagari script, which is written on palm-leaves in vertical lines
running upwards and from right to left. The Battas also excel in several
industries, such as pottery, weaving, jewellery, iron work, and
house-building, their picturesque dwellings, which resemble Swiss
chalets, rising to two stories above the ground-floor reserved for the
live stock. For these arts they are no doubt largely indebted to their
Hindu teachers, from whom also they have inherited some of their
religious ideas, such as the triune deity--Creator, Preserver, and
Destroyer--besides other inferior divinities collectively called
_diebata_, a modified form of the Indian _devate_[533].
Public-domain text, read in full here on John Shaqi.
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