Now in the other family economically indistinguishable from this, a family with seven or eight hundred a year from investments, which derives from the middle class, the tradition is one that, in spite of the essential irresponsibility of the economic position, will urge this family towards exertion as a duty. As a rule the resultant lies in the direction of pleasant, not too arduous exertion, the arts are attacked with great earnestness of intention, literature, “movements” of many sorts are ingredients in these homes. Many things that are imperative to the aristocratic home are regarded as needless, and in their place appear other things that the aristocrat would despise, books, instruction, travel in incorrect parts of the world, _games_, that most seductive development of modern life, played to the pitch of distinction. Into both these homes comes literature, comes the Press, comes the talk of alien minds, comes the observation of things without, sometimes reinforcing the tradition, sometimes insidiously glossing upon it or undermining it, sometimes “letting daylight through it”; but much more into the latter type than into the former. And slowly the two fundamentally identical things tend to assimilate their superficial difference, to homologize their traditions, each generation sees a relaxation of the aristocratic prohibitions, a “gentleman” may tout for wines nowadays--among gentlemen--he may be a journalist, a fashionable artist, a schoolmaster, his sisters may “act,” while, on the other hand, each generation of the ex-commercial shareholder reaches out more earnestly towards refinement, towards tone and quality, towards etiquette, and away from what is “common” in life. So in these typical cases one follows the strands of tradition into the new conditions, the new homes of our modern state. In America one finds exactly the same new elements shaped by quite parallel economic developments, shopmen in a large store, skilled operatives, and independent shareholders developing homes not out of a triple strand of tradition, but out of the predominant home tradition of an emancipated middle class, and in a widely different atmosphere of thought and suggestion. As a consequence, one finds, I am told, a skilled operative already with no eye (or only an angry eye) for tips, sociable shopmen, and shareholding families, frankly common, frankly intelligent, frankly hedonistic, or only with the most naïve and superficial imitation of the haughty incapacity, the mean pride, the parasitic lordliness of the just-independent, well-connected English. These rough indications of four social types will illustrate the quality of our proposition, that home influence in the making of men resolves itself into an interplay of one substantial and two modifying elements, namely:-- (1) Tradition. (2) Economic conditions.