Equally unnecessary is the scholastic attempt to take over the relations of the child to “nature,” art, and literature. To read the educational journals, to hear the scholastic enthusiast, one would think that no human being would ever discover there was any such thing as “nature” were it not for the schoolmaster--and quotation from Wordsworth. And this nature, as they present it, is really not nature at all, but a factitious admiration for certain isolated aspects of the universe conventionally regarded as “natural.” Few schoolmasters have discovered that for every individual there are certain aspects of the universe that especially appeal, and that that appeal is part of the individuality--different from every human being, and quite outside their range. Certain things that have been rather well treated by poets and artists (for the most part dead and of Academic standing) they regard as Nature, and all the rest of the world, most of the world in which we live, as being in some way an intrusion upon this classic. They propound a wanton and illogical canon. Trees, rivers, flowers, birds, stars--are, and have been for many centuries Nature--so are ploughed fields--really the most artificial of all things--and all the apparatus of the agriculturist, cattle, vermin, weeds, weed-fires, and all the rest of it. A grassy old embankment to protect low-lying fields is Nature, and so is all the mass of apparatus about a water-mill; a new embankment to store an urban water supply, though it may be one mass of splendid weeds, is artificial, and ugly. A wooden windmill is Nature and beautiful, a sky-sign atrocious. Mountains have become Nature and beautiful within the last hundred years--volcanoes even. Vesuvius, for example, is grand and beautiful, its smell of underground railway most impressive, its night effect stupendous, but the glowing cinder heaps of Burslem, the wonders of the Black Country sunset, the wonderful fire-shot nightfall of the Five Towns, these things are horrid and offensive and vulgar beyond the powers of scholastic language. Such a mass of clotted inconsistencies, such a wild confusion of vicious mental practices as this, is the stuff the schoolmaster has in mind when he talks of children acquiring a love of Nature. They are to be trained, against all their mental bias, to observe and quote about the canonical natural objects and not to observe, but instead to shun and contemn everything outside the canon, and so to hand on the orthodox Love of Nature to another generation. One may present the triumph of scholastic nature-teaching, by the figure of a little child hurrying to school along the ways of a busy modern town. She carries a faded cut-flower, got at considerable cost from a botanical garden, and as she goes she counts its petals, its stamens, its bracteoles. Her love of Nature, her “powers of observation,” are being trained. About her, all unheeded, is a wonderful life that she would be intent upon but for this precious