Mankind in the MakingWells, H. G. (Herbert George)
Philosophy
Mankind in the Making
Wells, H. G. (Herbert George)
Social problems; Social sciences
one child must miss some stage, some explanation that will involve a
weakness, a lameness for the rest of the course of instruction. Not
only is the actual music-lesson a nuisance in this way, but all day the
school air is loaded with the oppressive tinkling of racked and rackety
pianos. Nothing, I think, could be more indicative of the real value
the English school-proprietor sets on school-teaching than this easy
admission of the music-master to hack and riddle the curriculum into
rags. [Footnote 1: Piano playing as an accomplishment is a nuisance and
encumbrance to the school course and a specialization that surely lies
within the private Home province. To learn to play the piano properly
demands such an amount of time and toil that I do not see how we can
possibly include it in the educational scheme of the honourable citizens
of the coming world state. To half learn it, to half learn anything, is
a training in failure. But it is probable that a different sort of
music teaching altogether--a teaching that would aim, not at
instrumentalization, but at intelligent appreciation--might find a place
in a complete educational scheme. The general ignorance that pervades,
and in part inspires these papers, does, in the matter of music, become
special, profound, and distinguished. It seems to me, however, that
what the cultivated man or woman requires is the ability to read a score
intelligently rather than to play it--to distinguish the threads, the
values, of a musical composition, to have a quickened ear rather than a
disciplined hand. I owe to my friend, Mr. Graham Wallas, the suggestion
that the piano is altogether too exacting an instrument to use as the
practical vehicle for such instruction, and that something simpler and
cheaper--after the fashion of the old spinet--is required. Possibly some
day a teacher of genius will devise and embody in a book a course of
class lessons, sustained by simple practice and written work, that would
attain this end. But, indeed, after all is said and done, music is
the most detached and the purest of arts, the most accessory of
attainments.] Apart from the piano work, the special teaching of elegant
accomplishments seems just at present on the wane. And on the whole I
think what one might call useful or catchpenny accomplishments are
also passing their zenith--shorthand lessons, book-keeping lessons, and
such-like impostures upon parental credulity.
Public-domain text, read in full here on John Shaqi.
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