But such a Guild at best is only one of many possible expedients in this matter. Another is for a few people of means to subsidize a magazine for the exhaustive criticism of contemporary work for a few years. Quite a small number of people, serious in this matter, a couple of thousand or so, could float such a magazine by the simple expedient of guaranteeing subscriptions. [Footnote: It may be suggested that among other methods of putting the criticism of contemporary literature upon a better footing is one that might conceivably be made to pay its own expenses. There is so much room for endowments nowadays that where one can get at the purse of the general public one should certainly prefer it to that of the generous but overtaxed donor. The project would require a strong endowment, but that endowment might be of the nature of a guarantee fund, and might in the end return unimpaired to the lender. The suggestion is the establishment of a well-planned and reasonably cheap monthly or weekly critical magazine, written on a level at present unattainable--chiefly because of the low rate of payment for all literary criticism. There can be no doubt among those who read much among literary and quasi-literary periodicals in English that there is a very considerable amount of high critical ability available. Buried and obscured to an ineffectual degree among much that is formal, foolish, and venial, there is to be found to-day a really quite remarkable number of isolated reviews, criticisms and articles in which style is apparent, in which discrimination shines fitfully, in which there is the unmistakable note of honest enthusiasm for good work. For the most part, such criticism bears also the marks of haste--as, indeed, it must do when a review as long as the column of a daily paper, a day’s work, that is, of steady writing, earns scarcely a pound. But the stuff is there. Scarcely a number of the _Academy_, or the _Spectator_, scarcely a week of the _Morning Post_, the _Daily News_, or the _Daily Chronicle_, but there is a review, or a piece of a review, that has the stigmata of literature. And this suggestion is that some of these writers shall be got together, shall be paid at least as well as popular short-story writers are paid, shall each have a definite department marked out under a trustworthy editor, and be pledged to limit their work to the pages of this new critical magazine. Their work would be signed, and there they would be, conspicuously urged to do the best that was in them, _apropos_ of more or less contemporary books and writers. They would have leisure for deliberate judgments, for the development of that consistency of thought which the condition of journalism renders so impossible. This review would mean for them status, reputation, and opportunity. They would deal with contemporary fiction, with contemporary speculative literature, and with the style, logic, methods and vocabulary of scientific and philosophical writers.