carefully chosen pages of what is, comparatively, not rubbish, a little lucid discussion of effects and probabilities, would do more to quicken the literary sense of the average person than all the sham enthusiasm about Marlowe and Spenser that was ever concocted. There are not a few authors who would be greatly the better and might even be subsequently grateful for a lecture upon themselves in this style. Let no one say from this that the classics of our tongue are depreciated here. But the point is, that for people who know little of history, little of our language, whose only habitual reading is the newspaper, the popular novel, and the sixpenny magazine, to plunge into the study of works written in the language of a different period, crowded with obsolete allusions, and saturated with obsolete ideas and extinct ways of thinking, is pretentious and unprofitable, and that most of such Extension Lecturing is fruitless and absurd. And I appeal to these two facts in confirmation, to the thousands of people who every year listen to such lectures and to the hundreds of thousands of copies of our national classics sold by the booksellers, on the one hand, and on the other to the absolute incapacity of our public to judge any new literary thing or to protect itself in any way from violently and vulgarly boomed rubbish of the tawdriest description. Without a real and popular criticism of contemporary work as a preliminary and basis, the criticism and circulation of the classics is quite manifestly vain. By such expedients very much might be done for the literary atmosphere. By endowing a critical review or so, by endowing a few chairs and readerships in contemporary criticism, by organizing a Guild of Literature and a system of exemplary honours for literature, by stimulating the general discussion of contemporary work through lectures and articles, criticism could, I believe, be made “worth while” to an extent that is now scarcely imaginable, and there might be created an atmosphere of attention, appreciation, and judgment that would be in itself extraordinarily stimulating to all forms of literary effort. Of course all this sort of thing may be done cheaply, stupidly, dishonestly, and vulgarly, and one imagines the shy and exquisite type of mind recoiling from the rude sanity of these suggestions. But, indeed, they need not be done any other way than finely and well. People whose conception of what is good in art and literature is inseparable from rarity ought, I submit, to collect stamps. At an earlier phase in this series of discussions there was broached a project for an English Language Society, which would set itself to do or get done a number of services necessary to the teaching and extension of the language of our universal peoples. With such a Society those who undertook this project for the habilitation of criticism would necessarily co-operate and interlock.