But if the reward must be directly for the work, it must not have any quantitative relation to the output of work. It is quality we want, not quantity; we want absolutely to invert the abominable conditions of the present time by which every exercise of restraint costs an author a fine. It is my personal conviction that almost every well-known living writer is or has been writing too much. “No book, no income” is practically what the world says to an author, and the needy authors make a pace the independent follow; there is no respect for fine silences, if you cease you are forgotten. The literature of the past hundred years is unparalleled in the world’s history in this feature that the greater portion of it is or has been written under pressure. It was the case with Scott, the case with Dickens, Tennyson, even with Browning, and a host of other great contributors to the edifice. No one who loves Dickens and knows anything of the art he practised but deplores that evil incessant demand that never permitted him to revise his plans, to alter, rearrange and concentrate, that never released him from the obligation to touch dull hearts and penetrate thick skins with obtrusive pathos and violent caricature. Once embarked upon his course, he never had a moment for reconstruction. He had no time to read, no time to think. A writer nowadays has to think in books and articles; to read a book he must criticize or edit it; if he dare attempt an experiment, a new departure, comes his agent in a panic. Every departure from the lines of his previous success involves chaffering, unless he chance to be a man of independent means. When one reflects on these things it is only amazing that the average book is not more copious and crude and hasty than it is, and how much in the way of comprehensive and unifying work is even now in progress. There are all too many books to read. It would be better for the public, better for our literature, altogether better, if this obligation to write perpetually were lifted. Few writers but must have felt at times the desire to stop and think, to work out some neglected corner of their minds, to admit a year’s work as futile and thrust it behind the fire, or simply to lie fallow, to camp and rest the horses. Let us, therefore, pay our authors as much not to write as though they wrote; instead of that twenty or thirty volumes, which is, I suppose, the average product, let us require a book or so, worth having. Which means, in fact, that we must find some way of giving an author, once he has proved his quality, a fixed income quite irrespective of what he does. We might, perhaps, require evidence that he was doing some work now and then, we might prohibit alien occupations, but for my own part I do not think even that is necessary. Most authors so sustained will write, and all will have written. We are presupposing, be it remembered, the stimulus of honours and criticism and of further honours and further emoluments.